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No More Separate Spheres!
No More Separate Spheres! challenges the limitations of thinking about American literature and culture within the narrow rubric of “male public” and “female private” spheres from the founders to the present. With provocative essays by an array of cutting-edge critics with diverse viewpoints, this collection examines the ways that the separate spheres binary has malingered unexamined in feminist criticism, American literary studies, and debates on the public sphere. It exemplifies new ways of analyzing gender, breaks through old paradigms, and offers a primer on feminist thinking for the twenty-first century. Using American literary studies as a way to talk about changing categories o...
Cultures of Letters
Richard H. Brodhead uses a great variety of historical sources, many of them considered here for the first time, to reconstruct the institutionalized literary worlds that coexisted in nineteenth-century America: the middle-class domestic culture of letters, the culture of mass-produced cheap reading, the militantly hierarchical high culture of the post-Civil War decades, and the literary culture of post-emancipation black education. Moving across a range of writers familiar and unfamiliar, and relating groups of writers often considered in artificial isolation, Brodhead describes how these socially structured worlds of writing shaped the terms of literary practice for the authors who inhabited them.
Colonial Village
Colonial Village was written by John Eldridge Frost in 1947 to document the history of homes and other structures built in the village of Kittery Point, Maine prior to 1800. Two appendices mention even more houses from the same era in the town of Kittery.This 3rd printing of Colonial Village contains updates to those histories. The information was compiled in 2021 to document the current status of the structures, and what has happened to them over the 74 years since Colonial Village was first published.Houses built by the early families of Kittery Point, Maine such as the Brays, Pepperrells, Sparhawks, Deerings, Cutts, Folletts, Hookes, Whipples, Badgers, Rices, Dennetts, and Shapleighs are included. The book is illustrated with 28 photographs taken circa 1947 by Douglas Armsden of many of the stuctures.
The Problem of American Realism
Ever since William Dean Howells declared his "realism war" in the 1880s, literary historians have regarded the rise of "realism" and "naturalism" as the great development in American post-Civil War fiction. Yet there are many problems with this generalization. It is virtually impossible, for example, to extract from the novels and manifestoes of American writers of this period any consistent definitions of realism or naturalism as modes of literary representation. Rather than seek common traits in widely divergent "realist" and "naturalist" literary works, Michael Davitt Bell focuses here on the role that these terms played in the social and literary discourse of the 1880s and 1890s. Bell ar...
A Brief Genealogy of the Maling Family
Genealogical history of the Maling family of Maine from the 1700s to the 1900s.
The History of the Chaplain Corps, United States Navy
Omhandler den gejstlige tjeneste og feltpræsterne i den amerikanske flåde i perioden 1778 til 1954.
New Essays on The Country of the Pointed Firs
This is a collection of new essays on one of the most important works of New England local colour fiction, The Country of the Pointed Firs by Sarah Orne Jewett. It builds on feminist literary scholarship that affirms the importance and value of Jewett's work, but goes beyond previously published studies by offering an analysis of how race, nationalism, and the literary marketplace shape her narrative. The volume constitutes a major rethinking of Jewett's contribution to American literature, and will be of broad interest to the fields of American literary studies, feminist cultural criticism, and American studies.
White Heron
"This is not only a brilliant book but a lovable one, a joy to read not only for its insights but for its modesty, its playfulness, its wholesomeness of outlook on literature and the critical activity. This is not primarily a book for Sarah Orne Jewett scholars, nor it is just for Americanists or even academics. It is a book for anyone who has been deeply touched by literature and has thought about the relation between the 'moving' and the 'great.' --Leslie Brisman, Yale University
The McIntire Family
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