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George Herbert (1593-1633) was an Anglican priest, poet and essayist--truly one of the most profound spiritual masters in the English tradition. His spirituality was a synthesis of Evangelical and Catholic piety.
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
This illustrated dictionary for the Episcopal Church is an essential reference to its terminology, worship, structure, and polity. Originally intended as a resource for new members and confirmands in the Episcopal Church, since it was first published in 1985 the dictionary has become increasingly popular with clergy, vestries, and other lay ministers and leaders. This entirely new edition has been expanded, revised, and updated to include new terms that have come into use since it was first published, as the language Episcopalians use to describe their faith, worship, and common life continues to evolve. A Dictionary for Episcopalians is an ideal reference book for new members, seminarians, clergy, confirmation and inquirers' classes, altar guilds, church school teachers, and anyone who wants to learn more about the Episcopal Church. With illustrations and a pronunciation guide, it is a useful addition to every parish library and sacristy.
The open-air pulpit within the precincts of St. Paul’s Cathedral known as ‘Paul’s Cross’ can be reckoned among the most influential of all public venues in early-modern England. Between 1520 and the early 1640s, this pulpit and its auditory constituted a microcosm of the realm and functioned at the epicentre of events which radically transformed England’s political and religious identities. Through cultivation of a sophisticated culture of persuasion, sermons at Paul’s Cross contributed substantially to the emergence of an early-modern public sphere. This collection of 24 essays seeks to situate the institution of this most public of pulpits and to reconstruct a detailed history of some of the more influential sermons preached at Paul’s Cross during this formative period. Contributors include: Thomas Dabbs, Ellie Gebarowski-Shafer, Cecilia Hatt, Roze Hentschell, Anne James, Gerard Kilroy, John N. King, Torrance Kirby, Bradford Littlejohn, Steven May, Natalie Mears, Mary Morrissey, David Neelands, Kathleen O'Leary, Mark Rankin, Angela Ranson, Richard Rex, John Schofield, Jeanne Shami, P.G. Stanwood, Susan Wabuda, John Wall, Ralph Werrell, and Jason Zuidema.
Every Christian is assailed by the gales of temptation, but those in professional ministry face fiercer storms than the rest. As C. H. Spurgeon warned, contrary to what is often assumed, "our dangers are more numerous and more insidious than those of ordinary Christians." This perspective was shared by the unified voice of the historic church, leading some patristic church fathers to initially flee the call to ministry. The same dangers were repeatedly identified in the writings of the early English pastoral theologians as they sought to mentor their proteges in successful ministry. A Most Dangerous Profession surfaces these gems so often overlooked in historic Christian literature, and ends with their practical advice on how to overcome. As both a pastoral and spiritual theology, A Most Dangerous Profession is bound to add an important voice to the ongoing dialog about pastoral self-care.
This volume offers a comprehensive intellectual and experiential introduction to Christian spirituality. It embraces spiritual traditions from the Patristic period to the present day. Part I, "The Roots of Contemporary Western Spirituality," covers spiritual types that have been fundamental in shaping spiritual practice. Part II, "Distinctive Spiritual Traditions," offers major introductory essays on spiritual traditions formed by such notable figures as Luther, Wesley, Ignatius, and John of the Cross, as well as ecclesiastical traditions such as Anglicanism. Part III, "The Feminine Dimension in Christian Spirituality," is devoted to Marian Spirituality, holy women, and feminism. Each of the fourteen chapters is followed by a practicum which enables readers to assimilate the practice prescribed into their own devotional life .
Poetic Priesthood reads seventeenth-century devotional verse as staging a surprising competition between poetry and the established church. The work of John Donne, George Herbert, Richard Crashaw, John Milton, and Thomas Traherne suggests that the demands of faith are better understood by poets than by priests--even while four of these authors were also ordained. While recent scholarship has tended to emphasize the shaping influence of the liturgy on the poetry of this period, this book argues that verse instead presents readers with a mode of articulating piety that relies on formal experimentation, and that varies from the forms of the church rather than straightforwardly reproducing them....