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No detailed description available for "John Smibert, Painter".
Saunder's explores Smibert's early Scottish and London training as well as his travels in Italy; his portrait practice in London; his arrival in America and his stylistic development; the creation of "The Bermuda Group"; and the business of portrait painting in Boston.
William Dyrness examines how particular theological themes of Reformed Protestants impacted on their surrounding visual culture.
This book considers three defining movements driven from London and within the region that describe the experience of the Church of England in New England between 1686 and 1786. It explores the radical imperial political and religious change that occurred in Puritan New England following the late seventeenth-century introduction of a new charter for the Massachusetts Bay Colony, the Anglican Church in Boston and the public declaration of several Yale ‘apostates’ at the 1722 college commencement exercises. These events transformed the religious circumstances of New England and fuelled new attention and interest in London for the national church in early America. The political leadership, controversial ideas and forces in London and Boston during the run-up to and in the course of the War for Independence, was witnessed by and affected the Church of England in New England. The book appeals to students and researchers of English History, British Imperial History, Early American History and Religious History.
Here is an incisive and fully illustrated history of Harvard's architecture told by the distinguished architectural historian Bainbridge Bunting, author of Houses of Boston's Back Bay. The book examines the Federal architecture of Charles Bulfinch, H. H. Richardson's Romanesque buildings, the Imperial manner reflected in Widener Library, as well as the work of such esteemed architects as Charles McKim, Gropius, and Le Corbusier--and it shows us how they all come together to form an amazingly coherent whole. This lively story of a university campus is a veritable microcosm of American architectural experience.
"In 1992, the Newport Art Museum assembled an exhibition of 223 portraits of Newporters painted over a period of three centuries. It presented not just a gallery of the Newport elite and some of its haute bourgeoisie, but also a showcase of the most famous portraitists and portrait styles throughout United States history. Artists represented in this collection range from the great colonial portraitists Gilbert Stuart, Robert Feke, and John Singleton Copley to such modern figures as Diego Rivera, Larry Rivers, and Andy Warhol."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved