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John Smibert
Saunder's explores Smibert's early Scottish and London training as well as his travels in Italy; his portrait practice in London; his arrival in America and his stylistic development; the creation of "The Bermuda Group"; and the business of portrait painting in Boston.
John Smibert, Painter
No detailed description available for "John Smibert, Painter".
Reformed Theology and Visual Culture
William Dyrness examines how particular theological themes of Reformed Protestants impacted on their surrounding visual culture.
Anglicans, Dissenters and Radical Change in Early New England, 1686–1786
This book considers three defining movements driven from London and within the region that describe the experience of the Church of England in New England between 1686 and 1786. It explores the radical imperial political and religious change that occurred in Puritan New England following the late seventeenth-century introduction of a new charter for the Massachusetts Bay Colony, the Anglican Church in Boston and the public declaration of several Yale ‘apostates’ at the 1722 college commencement exercises. These events transformed the religious circumstances of New England and fuelled new attention and interest in London for the national church in early America. The political leadership, controversial ideas and forces in London and Boston during the run-up to and in the course of the War for Independence, was witnessed by and affected the Church of England in New England. The book appeals to students and researchers of English History, British Imperial History, Early American History and Religious History.
Portraits of Resistance
A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.
Harvard Guide to American History
Editions for 1954 and 1967 by O. Handlin and others.
Newportraits
"In 1992, the Newport Art Museum assembled an exhibition of 223 portraits of Newporters painted over a period of three centuries. It presented not just a gallery of the Newport elite and some of its haute bourgeoisie, but also a showcase of the most famous portraitists and portrait styles throughout United States history. Artists represented in this collection range from the great colonial portraitists Gilbert Stuart, Robert Feke, and John Singleton Copley to such modern figures as Diego Rivera, Larry Rivers, and Andy Warhol."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A Concise History Of American Painting And Sculpture
This clear, thorough, and reliable survey of American painting and sculpture from colonial times to the present day covers all the major artists and their works, outlines the social and cultural backgrounds of each period, and includes 409 illustrations integrated with the text. Although some determining factors in American art are considered, Matthew Baigell views the rich and diverse achievements of American art as the result of the efforts and talents of a pluralistic society rather than as fitting into a particular mold.This edition includes corrections and revisions to the text, an updated bibliography, and 13 new illustrations.
