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John Stezaker
The art of John Stezaker engages with the ceaseless flow of images that has been a consequence of mechanical reproduction, mass media and popular culture. His intervention into these images through collage, excision, reconfiguration, inversion or occlusion can be seen to interrupt their everyday circulation in a profound way: image and perception alike are questioned, rearranged and opened to new possibilities. Through their transformation Stezaker's images acquire poetic resonance, and, in many cases, a disquieting allure. With over 120 illustrations, this monograph presents the first overview of John Stezaker's work on paper from the 1970s onwards, featuring his found images, collages, ima...
John Stezaker
John Stezaker is one of the most distinguished voices in the history of image-based collage. Since the 1970s Stezaker?s work has occupied a unique position in the face of radical changes in the economy of popular visual culture and its implications on the value of ?found? imagery in art. Faced with the post-conceptual crisis of the mid-1970s, Stezaker came to reject the prevailing tendency among his British contemporaries towards agitprop photomontage, promoted in the name of punk, anarchism and second-wave feminism. He also positioned himself at a distance from the North American Pictures Generation artists with whom he had a meaningful exchange during this period, and in whose narrative he remains something of a missing link to this day. Stezaker was gradually to become consumed by a different enquiry altogether ? one that was, and remains, invested in the possibility of reviving the mechanically reproduced image and exploring its potentials as an outmoded visual currency that is shifting out of circulation in favour of new technologies and alternative modes of image distribution.00Exhibition: Luxembourg + Co., London, UK (01.10 - 05.12.2020).
John Stezaker
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John Stezaker
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John Stezaker
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John Stezaker
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Crossing Over
Reframing image fragments from postcards, John Stezaker's series Crossing Over (2012-13) focuses on the incidental micro-narratives of life that are often overlooked in these everyday objects.Celebrated British artist John Stezaker is widely known for his innovative approach to found photographic imagery. Building upon the corresponding 3rd Person Archive series, the image fragments in this volume span the history of postcard production.Moving from the Victorian era to the postwar period and black and white to colour imagery, Stezaker explores the female figure, notions of return and crossing back.Working with notions of time and memory, Crossing Over frames seemingly minor details, such as the figures passing on a street corner or conversing on a park bench, as well as the marks left by the physical movement of the images themselves.Reprinted to full-scale, 65 image fragments in this artist project is collected for the first time here.
John Stezaker, Masks
Concentrating specifically on the portrait, John Stezaker's 'Masks' series reflects the artist's ongoing interest with the hidden face. Stezaker's long-term fascination with the image is translated into alterations, deletions, visual concordances and juxtapositions of disparate sources, intuitively creating new images and relationships. Notions of the interior and exterior and blindness are key to Stezaker's 'Masks' series. Found postcard images obscure and replace the subject's physiognomy - leaving a 'surround' of hair, neck and clothes - and cavernous landscapes take the place of facial features to form new characters and meanings. Accompanying over 60 full-colour illustrations, a text from Caoimhín Mac Giolla Léith discusses the imagined narrative possibilities of the artist's superimposed images and collages.
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