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A gothic, blood curdling edition of the world's greatest journal of sex, religion and death. Incisive and cutting edge essays from the world of underground film, fanaticism, crime, sex, art, trash and sleaze. Contents include; A visit to the reclusive director of 70s seminal obscure horror movie Last house on Dead End Street, interview with Tom Robbins whose book 'Another Roadside Attraction' Elvis was reputed to be reading when he died, and Laurence O'Toole, author of 'Pornucopia' on set with gonzo pornmaker Buttman. Illustrated with 20 black and white illustrations.
New York City, 1976. Newspaper ads dare the denizens of Times Square to see a morbid little movie called The Incredible Torture Show. The film is yanked from theaters before it finds its audience. Years later it is retitled Blood Sucking Freaks and hits pay dirt, playing to shocked crowds and becoming a perverse cult classic. Its writer and director is Joel M. Reed. Like his films, the life of Joel M. Reed is a crazy cocktail of New York satire and sleaze, from swanky supper clubs in the 1950s through to the decrepit grindhouses of the 1970s. Using Reed and his films as its cornerstone, this book — twenty years in the making — is a dirty snapshot of the last gasp of Times Square before AIDS, crack cocaine, and anti-pornography laws strike their final blow. Strap yourself in for an unforgettable journey.
A scene that influenced generations of writers, filmmakers and fans, XEROX FEROX is the first book to cover the horror film fanzine and the culture it spawned. From Famous Monsters of Filmland to Fangoria and everything in between, XEROX FEROX is much more than a book about monster magazines. It examines the home-grown DIY fanzines that dared to dig deeper than the slick and shiny newsstand mags ever would... or indeed even could. The titles are as lurid as the films that they covered. Gore Gazette. Deep Red. Sleazoid Express. Before message boards, before blogs, before the Internet itself, the fanzine reigned as the chief source of news and information for horror fans worldwide. Often print...
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Excavations at Howe between 1978 and 1982 presented an unparalleled opportunity to examine the extensive and complex remains of a broch settlement, and thereby more fully understand the stages of evolution from roundhouse to massive complex roundhouse. The ensuing discovery of the earlier Neolithic structures and enclosed early Iron Age settlements added further layers of importance to this rich and complex site. This volume presents the detailed excavation report, discussing the structural and environmental evidence, the material culture, human remains, and radiocarbon dates.
The phenomenon of so-called 'snuff movies' (films that allegedly document real acts of murder, specifically designed to 'entertain' and sexually arouse the spectator) represents a fascinating socio-cultural paradox. At once unproven, yet accepted by many, as emblematic of the very worst extremes of pornography and horror, moral detractors have argued that the mere idea of snuff constitutes the logical (and terminal) extension of generic forms that are dependent primarily upon the excitement, stimulation and, ultimately, corruption of the senses. Snuff: Real Death and Screen Media brings together scholars from film and media studies to assess the longevity of one of screen media's most enduring cultural myths. Thorough, provocative, and well argued, the contributions to this volume address areas ranging from exploitation movies, the video industry, trends in contemporary horror cinema, pornography and Web 2.0.
"There was never an artist who came close to capturing horror and dread like Lee Brown Coye. He was master of the weird and grotesque illustration. Coye's sketches had the shape of nightmares."—Robert Weinberg, The Weird Tales Story "It was always my belief that a good drawing was a good drawing, whether it was in the archives of the Metropolitain Museum or in a pulp magazine."— Lee Brown Coye No other artist working in mid-century pulp fiction created work as twisted as Lee Brown Coye. By the 1970s, after surviving a life-threatening illness, Coye would outdo himself, creating lurid illustrations exclusive to rare privately published books and fanzines. With nearly one hundred gloriously rendered Coye-penned images, Pulp Macabre showcases Coye's final and darkest era, containing some of the most passionately ghoulish artwork ever made. Mike Hunchback is an enthusiast of various eras of extreme and bizarre underground art, and is currently working on a biography of original Fangoria magazine editor Robert "Uncle Bob" Martin. Caleb Braaten operates Sacred Bones Records, which has recently teamed with David Lynch to release his new album The Big Dream.
This international collection of chapters comprehensively covers different aspects of procedures for speciation analysis at all levels starting from sample collection and storage, through sample preparation approaches to render the species chromatographable, principles of separation techniques used in speciation analysis, to the element specific detection. International renowned editors and contributors Includes coverage of electrochemical methods, biosensors for metal ions, radioisotope techniques and direct solid speciation techniques Provides information on quality assurance and risk assessment, and speciation-relevant legislation Each chapter is a stand-alone reference covering a given facet of elemental speciation analysis written by an expert in a given field with the volume as a whole providing an excellent introductory text and reference handbook.
One particularly adaptive feature of human cognition is the ability to mentally preview specific events before they take place in reality. Familiar examples of this ability--often referred to as episodic future thinking--include what happens when an employee imagines when, where, and how they might go about asking their boss for a raise, or when a teenager anguishes over what might happen if they ask their secret crush on a date. In this book, the editors bring together current perspectives from researchers from around the globe who are working to develop a deeper understanding of the manner in which the simulations of future events are constructed, the role of emotion and personal meaning in the context of episodic simulation, and how the ability to imagine specific future events relates to other forms of future thinking such as the ability to remember to carry out intended actions in the future. This book was originally published as a special issue of The Quarterly Journal of Experimental Psychology.