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This book examines how asbestos activists living in remote rural villages in South Africa activated metropolitan resources of representation at the grassroots level in a quest for justice and restitution for the catastrophic effects on their lives caused by the asbestos industry. It follows the Asbestos Interest Group (AIG) over a fifteen-year period through its involvement in grassroots research, in legal cases and in the compensation systems for asbestos-related disease. It examines how the AIG became grassroots technicians of translocal paperwork, moving texts back and forth between periphery and center, pushing documents through the textual mazeways of the courts, medical institutions, the compensation system and various government agencies. The book addresses rhetorical mobility and the extent to which, given the AIG’s position on the periphery, it has been able to enter the voices and interests of villagers into formerly inaccessible forums of deliberation and decision-making.
With a real-world genre orientation, attention to diverse media, focus on visual literacy, and emphasis on the ethics of writing, the third edition of The Call to Write continues to break new ground in composition. Organized by genres-- letters, memoirs, public documents, profiles, reports, commentaries, proposals, and reviews, this innovative rhetoric gives students the practice they need to write both in college and in the public sphere. Connecting writing to the real worlds of everyday life, college, and work, it gives students reasons to write and the skills to help them succeed. A strong emphasis on public writing promotes civic involvement through writing-- to inform the public, to shape opinion, to advocate change, etc.-- while relevant, provocative readings underscore when and why citizens are called to write. The Third Edition retains the best features of the second edition while greatly expanding the coverage of research. This hardcover version includes a grammar handbook. Individuals who want to write for master various forms of writing. is hardcover version includes a grammar handbook.
Connecting writing to everyday life, the fifth edition of THE CALL TO WRITE continues its long tradition of breaking new ground in composition. Organized by genres, including letters, memoirs, public documents, profiles, reports, commentaries, proposals, and reviews, this innovative rhetoric gives students the practice they need to write both in college and in the public sphere. An emphasis on public writing promotes civic involvement, while relevant, provocative readings help students understand the concept of being "called to write" in response to a personal, community, or societal need.
Offers an extended critique of key assumptions in composition theory and a now paradigm for thinking about writing in an increasingly globalized and textualized world.
Annotation Volume illuminates many of the tensions present in the field of rhetoric and composition studies, explaining the scope and role of rhetoric in contemporary scholarship. For scholars and other individuals interested in rhetoric and composition studies./P>
Concepts in Composition: Theory and Practice in the Teaching of Writing is designed to foster reflection on how theory impacts practice, enabling prospective teachers to develop their own comprehensive and coherent conception of what writing is or should be and to consider how people learn to write. This approach allows readers to assume the dual role of both teacher and student as they enter the conversation of the discipline and become familiar with some of the critical issues. New to this second edition are: up-to-date primary source readings; a focus on collaborative writing practices and collaborative learning; additional assignments and classroom activities an emphasis on new media and...
In an insightful assessment of the study and teaching of writing against the larger theoretical, political, and technological upheavals of the past thirty years, Fragments of Rationality questions why composition studies has been less affected by postmodern theory than other humanities and social science disciplines.
A cultural history of the origins of composition studies that sheds new light on contemporary debates regarding the role of rhetoric in student transformation.