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Jonathan Ball
An edited collection of over 40 essays in tribute to Jonathan Ball, the founder of Jonathan Ball Publishers. It includes contributions from Andrew Franklin, Mark Streatfeild, Nigel Newton, Stephen Page, Tim Hely Hutchinson, Mark Gevisser, Jonny Steinberg, Jenny Crwys-Williams and Michiel Heyns. Jonathan Ball, the founder of Jonathan Ball Publishers, died on 3 April 2021 after a short illness. This collection of essays, commissioned in tribute to him, is edited by Michele Magwood. Jonathan Ball left a deep impression on many different people in different ways. The 40 or so essays reflect the many facets of Jonathan: businessman, friend, brother, colleague, husband, father. But it is in the re...
John Ball
"Have you visited the John Ball Park and Zoo in Grand Rapids? Have you ever had your photo taken with the big John Ball statue? Have you wondered: Who was John Ball? This book is for you!"--P. [4] of cover.
A Dream of John Ball; and, A King's Lesson
Reproduction of the original.
A Dream of John Ball by William Morris - Delphi Classics (Illustrated)
This eBook features the unabridged text of ‘A Dream of John Ball by William Morris - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of William Morris’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Morris includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘A Dream of John Ball by William Morris - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Morris’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Spectres of John Ball
For centuries, the priest John Ball was one of the most infamous or famous figures in the history of English rebels, best known for his saying 'When Adam delved and Eve Span, Who was then the gentleman'. But over the past hundred years his memory has faded dramatically. Along with Wat Tyler, Ball was one of the leaders of the Peasants' Revolt of 1381, a historically remarkable event in that leading figures of the realm were beheaded by the rebels. For a few days in June 1381, the rebels dominated London but soon met their demise, with Ball executed. Ball provided the theological justification for the uprising which he saw in apocalyptic terms. After the revolt, he was soon vilified and recei...
National Gallery
Jonathan Ball’s fourth poetry book, the first in seven years, swirls chaos and confession together. At the book’s heart is a question: Why create art? A series of poetic sequences torment themselves over this question, offering few answers and taking fewer prisoners. Loose sonnets that consider the artistic creations of Leatherface, monster-killer from The Texas Chain Saw Massacre, sit alongside Rilkean elegies for an iPhone. Surreal meditations on the collage work of Guy Maddin are followed by all of the lines from Melville’s Moby-Dick that mention “salt.” Politicians and painters jostle while absurdist humour crashes into stark admissions of vulnerability in the wake of having children. A startling diversity of styles and subjects feed into the maelstrom of The National Gallery, and its dark currents will draw you in to drown.
A DREAM OF JOHN BALL
�Sometimes I am rewarded for fretting myself so much about present matters by a quite unasked-for pleasant dream. I mean when I am asleep. This dream is as it were a present of an architectural peep-show. I see some beautiful and noble building new made, as it were for the occasion, as clearly as if I were awake; not vaguely or absurdly, as often happens in dreams, but with all the detail clear and reasonable. Some Elizabethan house with its scrap of earlier fourteenth-century building, and its later degradations of Queen Anne and Silly Billy and Victoria, marring but not destroying it, in an old village once a clearing amid the sandy woodlands of Sussex. Or an old and unusually curious church, much churchwardened, and beside it a fragment of fifteenth-century domestic architecture amongst the not unpicturesque lath and plaster of an Essex farm, and looking natural enough among the sleepy elms and the meditative hens scratching about in the litter of the farmyard, whose trodden yellow straw comes up to the very jambs of the richly carved Norman doorway of the church.
John Ball
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