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Museum Worthy examines the history behind works of art that were looted in western Europe by the Nazis during the Second World War and never returned to their rightful owners, instead claimed by postwar governments of France, Belgium, and the Netherlands for display in museums, embassies, ministries, and other public buildings.
André Jolles (1874-1946) gehört zu den herausragenden Intellektuellen der Niederlande in der ersten Hälfte des 20. Jahrhunderts. Seine Ausstrahlung über die Landesgrenze hinaus basiert zudem auf einer langjährigen Hochschullehrerlaufbahn an der Universität Leipzig. Als Autor von "Einfache Formen" (1930) genießt Jolles unverändert hohes Ansehen in literatur- und kunsthistorischen Kreisen. Seit zwei Jahrzehnten hat sich das Interesse an seiner Person und seinem Werk spürbar verstärkt, namentlich die Veröffentlichung von Jolles Korrespondenz mit Johan Huizinga erregte viel Aufmerksamkeit und regte weitere Beschäftigung mit einer komplizierten Vita an. Erstmals wird jetzt die Sammlun...
At the height of its power and influence in the seventeenth and eighteenth century the VOC - acronym for the United Netherland East India Company - was the greatest commercial concern in the world. The scope of its activities extended from the Cape of Good Hope to Japan. In some aspects, the Baltic trade and the North Sea fisheries were of more fundamental relevance for the economy of the Lowlands. But it was the more spectacular East Indian trade which aroused the admiration and the envy of foreigners, sometimes to the point of war. In this bibliography several topics are covered. Not only technical matters such as the legal status of the VOC, its management, directors and shareholders, but also subjects as voyages, battles, ship building, navigation, geography, natural history, ethnography, mission work, ministration, and many others. With 1674 entries, fully described and fully indexed.
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