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Jon and Janet’s European adventure is shattered by world events—not the trip itself, but the telling of it. In a harsh post-9/11 world, the once glib travel writer finds he must take the long road to truth telling, and to rediscovering a woman he thought he knew.
Collects 23 essays, research studies, and personal narratives on topics connected with teaching composition, topics and "voices" rarely found in scholarly journals or at professional conferences. Paper edition (unseen), $16.95. Annotation copyright by Book News, Inc., Portland, OR
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A work of creative nonfiction, VIENNA VOICES: A TRAVELER LISTE01 General/trade TO THE CITY OF DREAMS offers a nuanced portrait of the enigmatic “City of Dreams,” whose intellectual and artistic culture reached its height at the end of the nineteenth century, only to be eclipsed in the twentieth by the collapse of the Habsburg empire and the rise of National Socialism.
In AU JAPON (1904), de Guerville recounts with mostly comical gaze—and perhaps a touch of imagination—his experiences in the Far East during the years 1892 and 1894. As the author himself confesses, “each of us sees things in our own way.” After a century, that of Monsieur de Guerville is worth rediscovering. In addition to translating the original French, DANIEL C. KANE provides a thorough introduction, a glossary of key figures, a chronology of de Guerville’s publications, and an index.
First full study of the homilies of Archbishop Wulfstan, bringing out their most characteristic themes and concerns. The prodigious writings of Archbishop Wulfstan (d. 1023) encompass secular laws, religious canons, political theory, and homilies (sermons); despite their importance, however the homilies have not received the critical attention they deserve, a gap which this book seeks to fill. It focuses on three particular aspects: the re-establishment of the Wulfstan homiletic canon, Wulfstan's processes of composition and revision as manifested in their manuscript variants, and his characteristic themes and concerns. These include adherence to secular and divine law; the keeping of Christ...
"In this illuminating, multi-pronged cultural and performance history of such phenomena as Chautauqua and radio, movies, and electrical technology, Timothy Raphael puts together a compelling and sometimes revelatory narrative of how commandingly Reagan mastered the matrix of performance, technology, media, celebrity, and the 'republic of consumption' he came of age in." ---Dana Nelson, Vanderbilt University "Garry Wills and others have written well on the phenomenon of Ronald Reagan, the actor-president, but this is the first book by a real authority---trained in performance and fully reflective about it from the inside . . . unquestionably an important contribution to the disciplinary field...
A conservative college professor's compelling defense of liberal education Not so long ago, conservative intellectuals such as William F. Buckley Jr. believed universities were worth fighting for. Today, conservatives seem more inclined to burn them down. In Let's Be Reasonable, conservative political theorist and professor Jonathan Marks finds in liberal education an antidote to this despair, arguing that the true purpose of college is to encourage people to be reasonable—and revealing why the health of our democracy is at stake. Drawing on the ideas of John Locke and other thinkers, Marks presents the case for why, now more than ever, conservatives must not give up on higher education. H...
It has long been recognized that affect (that is, the noncognitive aspect of mental activity) plays a large role in writing and in learning to write. According to Susan H. McLeod, however, the model that has been most used for empirical research on the writing process is based on cognitive psychology and does not take into account affective phenomena. Nor does the social constructionist view of the writing process acknowledge the affective realm except in a very general way. To understand the complete picture, McLeod insists, we need to explore how cognitive, affective, and social elements interact as people write. In this book, McLeod follows a group of students through a semester of writin...
The first study of the synergies between postcolonialism and the genre of the short story composite, Unsettling Stories considers how the form of the interconnected short story collection is well suited to expressing thematic aspects of postcolonial writing on settler terrain. Unique for its comparative considerations of American, Canadian, and Australian literature within the purview of postcolonial studies, this is also a considered study of the difficult place of the postcolonial settler subject within academic debates and literature. Close readings of work by Tim Winton, Margaret Laurence, William Faulkner, Stephen Leacock, Sherwood Anderson, Olga Masters, Scott R. Sanders, Thea Astley, Tim O’Brien and Sandra Birdsell are positioned alongside critical discussions of postcolonial theory to show how awkward affiliations of individuals to place, home, nation, culture, and history expressed in short story composites can be usefully positioned within the broader context of settler colonialism and its aftermath.