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The Leading Man
American presidents and Hollywood have interacted since the 1920s. This relationship has made our entertainment more political and our political leadership more aligned with the world of movies and movie stars. In The Leading Man, Burton W. Peretti explores the development of the cinematic presidential image. He sets the scene in chapter 1 to show us how the chief executive, beginning with George Washington, was positioned to assume the mantle of cultural leading man. As an early star figure in the young republic, the president served as a symbol of national survival and wish fulfillment. The president, as head of government and head of state, had the potential to portray a powerful and char...
Embodying Black Experience
the highly predictable and anticipated arrival of racial violence within a person's lifetime --
Passionate Amateurs
A rich, historically grounded exploration of why theater and performance matter in the modern world
The Problem of the Color[blind]
"Catanese's beautifully written and cogently argued book addresses one of the most persistent sociopolitical questions in contemporary culture. She suggests that it is performance and the difference it makes that complicates the terms by which we can even understand 'multicultural' and 'colorblind' concepts. A tremendously illuminating study that promises to break new ground in the fields of theatre and performance studies, African American studies, feminist theory, cultural studies, and film and television studies." ---Daphne Brooks, Princeton University "Adds immeasurably to the ways in which we can understand the contradictory aspects of racial discourse and performance as they have emerg...
No Safe Spaces
DIVExplores fifty years of non-traditional casting practices on the American stage and the questions of cultural identity that they have raised/div
Drama
An engaging book spanning the fields of drama, literary criticism, genre, and performance studies, Drama: Between Poetry and Performance teaches students how to read drama by exploring the threshold between text and performance. Draws on examples from major playwrights including Shakespeare, Ibsen, Beckett, and Parks Explores the critical terms and controversies that animate the performance and study of drama, such as the status of language, the function of character and plot, and uses of writing Engages in a theoretical, disciplinary, and cultural repositioning of drama, by exploring and contesting its position at the threshold between text and performance
Political Animal
The late Gore Vidal occupied a unique position within American letters. Born into a political family, he ran for office several times, but was consistently critical of his nation’s political system and its leaders. A prolific writer in several genres, he was also widely known – particularly in the United States – on the basis of his frequent appearances in the various electronic media. In this groundbreaking work examining the central theme of power throughout Vidal’s writings, Heather Neilson focuses primarily on Vidal’s historical fiction. In his novels depicting American history and those set in ancient times, Vidal evokes a world in which deliberately propagated falsehood – ‘disinformation’ – becomes established as truth. Neilson engages with Vidal’s representations of political and religious leaders, and with his deeply ambivalent fascination with the increasingly inescapable influence of the media. She asserts that Vidal’s oeuvre has a Shakespearean resonance in its persistent obsession with the question of what constitutes legitimate power and authority.
Cutting Performances
Sheds light on the critical role that women artists have played in the evolution of the American avant-garde
Illusive Utopia
A rare glimpse into North Korean propaganda—in parades, posters, murals, theater, and films
