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Charles Dickens's Networks
The same week in February 1836 that Charles Dickens was hired to write his first novel, The Pickwick Papers, the first railway line in London opened. Charles Dickens's Networks explores the rise of the global, high-speed passenger transport network in the nineteenth century and the indelible impact it made on Dickens's work. The advent first of stage coaches, then of railways and transoceanic steam ships made unprecedented round-trip journeys across once seemingly far distances seem ordinary and systematic. Time itself was changed. The Victorians overran the separate, local times kept in each town, establishing instead the synchronized, 'standard' time, which now ticks on our clocks. Jonatha...
The Art of Alibi
In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, these scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel. Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dickens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s. -- John Sutherland, University College London
The Art of Alibi
In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, these scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel. Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dickens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s. -- John Sutherland, University College London
The Subverting Vision of Bulwer Lytton
On the occasion of the bicentenary of Edward Bulwer Lytton's birth, seventeen scholars from five countries have contributed essays devoted to many aspects of his career. After the first essay that analyzes the reasons for Bulwer's extraordinary reputation in his own day, twelve of the essays focus primarily upon one or more of the novels, from Falkland (1827) to Kenelm Chillingly (1873). Other novels examined include Bulwer's The Last Days of Pompeii, The Coming Race, The Parisians, and the Caxton trilogy, as well as his Newgate novels. In the volume are also considerations of the seminal treatise England and the English (1833), the incomplete history of Athens (1837), and the achievement of Bulwer Lytton as Colonial Secretary (1858-59). Two essays, one written by a descendant of Bulwer, deal with the overshadowing disaster of his life, the marriage to Rosina Wheeler, herself a novelist whose novels sought to undermine his. Bulwer emerges from this collection of essays as a challengingly complex but coherent figure that merits the respect of contemporary students of the Victorian phenomenon.
Loopholes
Much writing about comedy tends to begin and end with Aristotle’s claim that comedy is inferior to tragedy, trivializing comedy as cheap or as a temporary distraction from things that "really matter." Such writing either presents exhaustive taxonomies of kinds of humor—like wit, puns, jokes, humor, satire, irony—or engages in pointless political endgames, moral dialogues, or philosophical perceptions. Comedy is rarely presented as a mode of thought in its own right, as a way of understanding, not something to be understood. John Bruns’ guiding assumption is that comedy is not simply a literary or theatrical genre, to be differentiated from tragedy or from romance, but a certain way o...
The Merchant of Modernism
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
The Oxford Handbook of Victorian Literary Culture
The Oxford Handbook of Victorian Literary Culture is a major contribution to the dynamic field of Victorian studies. This collection of 37 original chapters by leading international Victorian scholars offers new approaches to familiar themes, including science, religion, and gender, and gives space to newer and emerging topics, including old age, fair play, and economics. Structured around three broad sections (on "Ways of Being: Identity and Ideology," "Ways of Understanding: Knowledge and Belief," and "Ways of Communicating: Print and Other Cultures"), the volume is sub-divided into nine sub-sections each with its own "lead" essay: on subjectivity, politics, gender and sexuality, place and...
The Complete Works of Oscar Wilde: The picture of Dorian Gray : the 1890 and 1891 texts
Here is a collection of this witty and irreverent author's works--all in their most authoritative texts. Includes The Picture of Dorian Gray, The Importance of Being Earnest, and other stories and essays.
Victorian Time
Victorian Time examines how literature of the era registers the psychological impact of the onset of a modern, industrialized experience of time as time-saving technologies, such as steam-powered machinery, aimed at making economic life more efficient, signalling the dawn of a new age of accelerated time.
Five Long Winters
This book argues that the British government's repression of the 1790s rivals the French Revolution as the most important historical event for our understanding the development of Romantic literature. Romanticism has long been associated with both rebellion and escapism, and much Romantic historicism traces an arc from the outburst of democratic energy in British culture triggered by the French Revolution to a dwindling of enthusiasm later in the 1790s, when things in France turned violent. Writers such as Wordsworth and Coleridge can then be seen as "apostates" who turned from radical politics to a poetics of transcendence. Bugg argues instead for a poetics of silence, and his book is set a...
