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The Health of the State
The Health of the State is a cultural history that explores how war writing figured in three phases of modern America's political evolution: Civil War remembrance during the Progressive Era, the culture of World War I and the new internationalism, and World War II's legitimation of Cold War liberalism.
Vincent
Jim Thompson is broke, homeless, and alone. One year ago he lived a comfortable life, with twenty-five years married to a woman he loved, twenty-three years at a good job, and a country home he built for retirement. He is now fifty-four years old, lives in his truck, showers occasionally at a cheap gym, and eats the bargain meals at fast food places-if he is lucky. Unknown to him, his luck is about to change drastically. Jim is being watched and evaluated for participation in a crucial mission; an assignment originating on someone else's world - with the capability of destroying ours.
The Vincent Family
Chiefly the descendants of Charles Vincent. Charles was in New York in 1675. He married Elizabeth Dix. They were the parents of four children.
Timber Home Living
Timber Home Living introduces and showcases the beauty and efficiency of timber homes to an eager custom home buying audience. The magazine’s inspiring photography, informative editorial, quality advertising and essential resources involves and encourages readers to pursue their dream home.
Regents' Proceedings
None
Thieving Three-Fingered Jack
The fugitive slave known as “Three-Fingered Jack” terrorized colonial Jamaica from 1780 until vanquished by Maroons, self-emancipated Afro-Jamaicans bound by treaty to police the island for runaways and rebels. A thief and a killer, Jack was also a freedom fighter who sabotaged the colonial machine until his grisly death at its behest. Narratives about his exploits shed light on the problems of black rebellion and solutions administered by the colonial state, creating an occasion to consider counter-narratives about its methods of divide and conquer. For more than two centuries, writers, performers, and storytellers in England, Jamaica, and the United States have “thieved" Three Fingered Jack's riveting tale, defining black agency through and against representations of his resistance. Frances R. Botkin offers a literary and cultural history that explores the persistence of stories about this black rebel, his contributions to constructions of black masculinity in the Atlantic world, and his legacies in Jamaican and United States popular culture.
