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Jorge Méndez Blake
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Other Literature
RM's new Other Literature series highlights the importance of libraries as structures of knowledge and as architectural entities. This volume explores the theme in works by leading Mexican artist Jorge Méndez Blake (born 1974), with essays by renowned art critics and architects.
Dismantled language
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Other Literature
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Jorge Blake
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Collected Poems and Other Verse
Stéphane Mallarmé was a radically innovative poet of the 19th century, in English as well as in French. This text contains his poetry and his Poesies in the last arrangement known to have been approved by the author and provides a wide-ranging survey of his work.
Blake, Jorge Méndez
The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
Otra Literatura
"Otra literatura", by visual artist Jorge Méndez Blake (b. Guadalajara, México 1974), is an artist's book that deals with the idea of the Book: books, libraries and literature, from the complex field of writing. Is a work about books and uses its own support to refer to same itself. A complex book, visually fascinating, that can be read from either side, with different levels of reading. Each text has its particularity and, therefore, has its own space and context within the sheet of paper.
The Word is Art
A fascinating overview of how contemporary artists incorporate text and language into work that speaks to the most pressing issues of the 21st century. In this new volume celebrated artist and curator Michael Petry, addresses media and marketplace concerns about the state of language and the value of books in the digital age. As words find new modes of transmission in contemporary society, text becomes information, and information strives to become free, Petry asks, what value can text hold in the sphere of visual art? Looking at the work of a broad range of artists including Bruce Nauman, Julien Breton, Jeremy Deller, Takashi Murakami, Tracey Emin, Christian Boltanski, and more, The Word is Art explores this and related questions and demonstrates how words remain critical, powerful, and central to art practice. Presenting major areas where the word has dominated artistic practice, this book takes us on a fascinating and richly illustrated global tour of diverse contemporary art forms.
