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Neue Wege für eine kreative Musikpädagogik Musik ist weit mehr als ein Schulfach – sie ist ein kreativer Prozess, in dem Zeit und Innovation miteinander verschmelzen. Dieses Buch zeigt, wie Musik Kreativität fördert und originelle Wege der Vermittlung und des Lehrens eröffnet. Dazu gehört auch die Chance, Musik nicht nur als Lehrinhalt zu begreifen, sondern als Raum für kreative Entfaltung. Mittels praktischer Beispiele wird auf die Bedeutung von Kreativität im Musikunterricht eingegangen und dargelegt, wie Musik als Katalysator für neues Denken wirken kann. Dabei wird auch die Bedeutung von Zeit im Lernprozess betont: Kreativität braucht Raum, um sich zu entfalten. Gleichzeitig ...
In volumes1-8: the final number consists of the Commencement annual.
In this first monograph on E. T. A. Hoffmann and opera, Francien Markx examines Hoffmann’s writings on opera and the challenges they pose to established narratives of aesthetic autonomy, the search for a national opera, and Hoffmann’s biography. Markx discusses Hoffmann’s lifelong fascination with opera against the backdrop of eighteenth-century theater reform, the creation of national identity, contemporary performance practices and musical and aesthetic discourses as voiced by C. M. von Weber, A. W. Schlegel, Heine, and Wagner, among others. The book reconsiders the traditional view that German opera followed a deterministic trajectory toward Wagner’s Gesamtkunstwerk and reveals a cosmopolitan spirit in Hoffmann’s operatic vision, most notably exemplified by his controversial advocacy for Spontini in Berlin.
Goethe and Zelter spent a staggering 33 years corresponding or in the case of each artist, over two thirds of their lives. Zelter's position as director of the Sing-Akademie zu Berlin and Goethe's location in Weimar resulted in a wide-ranging correspondence. Goethe's letters offer a chronicle of his musical development, from the time of his journey to Italy to the final months of his life. Zelter's letters retrace his path as stonemason to Professor of Music in Berlin. The 891 letters that passed between these artists provide an important musical record of the music performed in public concerts in Berlin and in the private and semi-public soir of the Weimar court. Their letters are those of ...
I entered the water quietly and saw two humpback whales sleeping diagonally in the distance. Two school buses just hanging in space… Acclaimed wildlife scientist Vanessa Pirotta has been mugged by whales, touched by a baby whale and covered in whale snot. In Humpback Highway, Pirotta dives beneath the surface to reveal the mysterious world of humpback whales — from their life cycle and the challenges humans present, to why whale snot and poo are important for us and the ocean. Plus the cutting-edge new technologies that allow us to see where they swim, listen to them talk and spy on them underwater. Whether you’re a whale lover or you’re simply curious about the underwater world, ...
One of a series examining the development of music in specific places during particular times. This volume looks at the development of music in the early Romantic era, 1789-1849, in Paris, Berlin, Dresden, Leipzig, London, Italy, the USA, Moscow, St Petersburg and Latin America.
Jared Haddon was born in England in 1608, and immigrated to Boston, Massachusetts during or before 1634. He lived in Cambridge and Amesbury, and died in 1689. Includes Adams, Bond, Brodie, Watson, Vandiver and related families.