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Berichte, Briefe und Dokumente des Botanikers, Sinologen und Nakhi-Forschers
J. F. Rock hatte eine vielseitige Karriere: Vom Autodidakten entwickelte er sich zur Autorit�t fuer die Botanik Hawaiis; Forschungsreisen in Suedchina brachten reiche Ausbeute an Specimina botanischer (ca. 80000) und ornithologischer Art (ueber 1000) sowie illustrierte Artikel im National Geographic Magazine. In der Folge wurde Rock zum Experten fuer das kleine Volk der Nakhi, deren piktographische Manuskripte (ca. 5000) er sammelte und deren Rituale, Sprache und Geschichte er in umfangreichen Beitr�gen behandelte. Der vorliegende Band gibt ein Schriftenverzeichnis, T�tigkeitsberichte aus Hawaii, Zeitungsberichte ueber Rocks Forschungen, Briefwechsel mit Botanikern und Institutionen (s...
Lamas, Princes, and Brigands
The catalog of an exhibition at the China House Gallery in New York City, 1992, this vastly important and spectacularly beautiful (126 b&w photographs) volume records Rock's cultural exploration of the Tibetan border regions between 1922 and 1949. 10x11. Annotation copyright Book News, Inc. Portlan
The Paper Road
“An absolutely breathtaking book -- in its thoughtfulness and imaginativeness, in the breadth and depth of the research which it entailed, in its geographical, cultural, and historical situatedness, and in its profound critical empathy for all of the key players. Beautifully and skillfully written.” – Sydney White, Associate Professor of Anthropology, Asian Studies, and Women's Studies at Temple University "The Paper Road is an eloquent, even haunting narrative of the relationships between colonial explorers/scientists and their native collaborators that makes vivid the theme of 'colonial intimacy.' It speaks to scholars working on Chinese minorities and frontier relations, to historians of comparative colonialism, to experts on Tibet and Buddhism, and probably also simply to lovers of tales of mountains and exploration." –Charlotte Furth, Professor Emerita of Chinese History , University of Southern California.
The Paper Road
“An absolutely breathtaking book -- in its thoughtfulness and imaginativeness, in the breadth and depth of the research which it entailed, in its geographical, cultural, and historical situatedness, and in its profound critical empathy for all of the key players. Beautifully and skillfully written.” – Sydney White, Associate Professor of Anthropology, Asian Studies, and Women's Studies at Temple University "The Paper Road is an eloquent, even haunting narrative of the relationships between colonial explorers/scientists and their native collaborators that makes vivid the theme of 'colonial intimacy.' It speaks to scholars working on Chinese minorities and frontier relations, to historians of comparative colonialism, to experts on Tibet and Buddhism, and probably also simply to lovers of tales of mountains and exploration." –Charlotte Furth, Professor Emerita of Chinese History , University of Southern California.
Coming to Terms with the Nation
Studies China's "Ethnic classification project" (minzu shibie) of 1954, conducted in Yunnan province.
I Cease Not to Yowl
This collection of never-before-published correspondence between Pound and Agresti, begun in 1937 and continuing through Pound's incarceration at St. Elizabeth's Hospital in Washington, D.C.--where he was found mentally unfit to stand trial for treason--reveals the depth and breadth of his many virulent views against the politics of the Second World War. Photos.
Just Around Midnight
By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more seri...
