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Winner of the 2021 SCSC Bainton Prize for Reference Works Booksellers and Printers in Provincial France 1470–1600 is the first comprehensive guide to the Renaissance French book trade outside of Paris and Lyon. This volume presents short biographies for over 2700 booksellers, printers and bookbinders – over sixty of whom are identified as fictitious. The biographies are accompanied wherever possible by the details of commercial partnerships, the type used by printers and reproductions of over a hundred signatures. The book provides the details of over six hundred women who either married into the trade or were independently active. The introductory essay analyses the nature, evolution and geographic dispersion of the members of the trade. It is an indispensable tool for understanding the French Renaissance book world.
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
At the end of the nineteenth century, serial murderer Joseph Vacher, dubbed "The Killer of Little Shepherds," terrorized the French countryside. He eluded authorities for years-until he ran up against prosecutor Emile Fourquet and Dr. Alexandre Lacassagne, the era's most renowned criminologist. The two men typified the Belle Epoque, a period of immense scientific achievement and fascination with its promise to reveal the secrets of the human condition. With high drama and stunning detail, Douglas Starr recounts the infamous crime and punishment of Vacher, interweaving the story of how Lacassagne and his colleagues developed forensics as we know it. We see one of the earliest uses of criminal...
In this poignant novel, a man guilty of a minor offense finds purpose unexpectedly by way of his punishment—reading to others. After an accident—or “the misfortune,” as his cancer-ridden father’s caretaker, Celeste, calls it—Eduardo is sentenced to a year of community service reading to the elderly and disabled. Stripped of his driver’s license and feeling impotent as he nears thirty-five, he leads a dull, lonely life, chatting occasionally with the waitresses of a local restaurant or walking the streets of Cuernavaca. Once a quiet town known for its lush gardens and swimming pools, the “City of Eternal Spring” is now plagued by robberies, kidnappings, and the other myriad ...
French legal culture, from the Middle Ages to the present day, has had an impressive influence on legal norms and institutions that have emerged in Europe and the Americas, as well as in Asian and African countries. This volume examines the lives of twenty-seven key legal thinkers in French history, with a focus on how their Christian faith and ideals were a factor in framing the evolution of French jurisprudence. Professors Olivier Descamps and Rafael Domingo bring together this diverse group of distinguished legal scholars and historians to provide a unique comparative study of law and religion that will be of value to scholars, lawyers, and students. The collaboration among French and non-French scholars, and the diversity of international and methodological perspectives, gives this volume its own unique character and value to add to this fascinating series.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.