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Mots D'Ordre
Meditations on disorder (defined as what comes into conflict or resists a prevailing order's sense of social advance and historical development) through a variety of voices, most associated with literary theory or, more broadly, with cultural critique. The meditations are shaped from both extraliterary (i.e. physics, biology, neuroscience, geometry, geography, psychoanalysis, politics, and history) and literary contexts. Paper edition (unseen), $14.95. Annotation copyrighted by Book News, Inc., Portland, OR
A Primer to Postmodernity
A Primer to Postmodernity introduces the general reader to an emerging 'postmodern' world order by giving us `just the facts` through contemporary cultural lenses.
Postmodern Journeys
Part memoir, part cultural criticism, this fast-paced ride through the postmodern landscape of American popular culture explores how our responses to headline events and popular films help script the ways in which we imagine ourselves and the world around us.
The Emotional Life of Postmodern Film
Emotion and Postmodernism: is it possible to imagine an odder couple, stranger bedfellows, less bad company? The Emotional Life of Postmodern Film brings this unlikely pair into sustained dialogue, arguing that the interdisciplinary body of scholarship currently emerging under the rubric of "affect theory" may be unexpectedly enriched by an encounter with the field that has become its critical other. Across a series of radical re-reappraisals of canonical postmodern texts, from Fredric Jameson's Postmodernism to David Cronenberg's Crash, Duncan shows that the same postmodern archive that has proven resistant to strongly subject-based and object-oriented emotions, like anger and sadness, prov...
A Postmodern Reader
These readings are organized into four sections. The first explores the wellsprings of the debates in the relationship between the postmodern and the enterprise it both continues and contravenes: modernism. Here philosophers, social and political commentators, as well as cultural and literary analysts present controversial background essays on the complex history of postmodernism. The readings in the second section debate the possibilityor desirabilityof trying to define the postmodern, given its cultural agenda of decentering, challenging, even undermining the guiding master narratives of Western culture. The readings in the third section explore postmodernisms complicated complicity with these very narratives, while the fourth section moves from theory to practice in order to investigate, in a variety of fields, the common denominators of the postmodern condition in action.
Come Let Us Reason
Divine hiddenness, naturalism, Zeitgeist: The Movie, Hinduism. Addressing contemporary challenges to the church, nineteen respected modern Christian apologists offer thoughtful new essays on culture, the historical Jesus, other religions, and more.
Hauntings
This book is about the way that popular film brings to a "sayable" level that which haunts us in the media headlines.
Faulkner and Postmodernism
Since the 1960s, William Faulkner, Mississippi's most famous author, has been recognized as a central figure of international modernism. But might Faulkner's fiction be understood in relation to Thomas Pynchon's Gravity's Rainbow as well as James Joyce's Ulysses? In eleven essays from the 1999 Faulkner and Yoknapatawpha Conference, held at the University of Mississippi, Faulkner and Postmodernism examines William Faulkner and his fiction in light of postmodern literature, culture, and theory. The volume explores the variety of ways Faulkner's art can be used to measure similarities and differences between modernism and postmodernism. Essays in the collection fall into three categories: those...
Time Is the Fire
Third in the New Utrecht Avenue trilogy
The Mathematical Mind of F. M. Dostoevsky
The Mathematical Mind of F. M. Dostoevsky: Imaginary Numbers, Non-Euclidean Geometry, and Infinity reconstructs the curriculum and readings that F. M. Dostoevsky encountered during his studies and connects such sources to the mathematical references and themes in his published works. Prior to becoming a man of letters, Dostoevsky studied at the Main Engineering School in St. Petersburg from 1838 to 1843. After he was arrested, submitted to mock execution by firing squad, and sentenced to penal servitude in Siberia for his involvement in the revolutionary Petrashevsky Circle in 1849, most of his books and journals from the period of his education were confiscated, and destroyed by the Third Section of the Russian Secret Police. Although most scholars discount the legacy of his engineering studies, the literary aesthetics of his works communicate an acute awareness of mathematical principles and debates. This book unearths subtexts in works by Dostoevsky, communicating veins of mathematical thought that evolved throughout Classical Antiquity, the Renaissance, and the Scientific Revolution.
