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Despite, or even because of their tumultuous history, Palestinians are renowned for being prolific cultural producers, creating many of the Arab world's most iconic works of literature. In particular, the Palestinian short story stands out for its unique interplay between literary texts and the political and historical contexts from which they emerge. Palestinian Literature in Exile is the first English language study to explore this unique genre. Joseph Farag employs an interdisciplinary approach to examine the political function of literary texts and the manner in which cultural production responds to crucial moments in Palestinian history. Drawing from the works of Samira Azzam, Ghassan K...
"Despite, or even because of their tumultuous history, Palestinians are renowned for being prolific cultural producers, creating many of the Arab world's most iconic works of literature. In particular, the Palestinian short story stands out for its unique interplay between literary texts and the political and historical contexts from which they emerge. Palestinian Literature in Exile is the first English language study to explore this unique genre. Joseph Farag employs an interdisciplinary approach to examine the political function of literary texts and the manner in which cultural production responds to crucial moments in Palestinian history. Drawing from the works of Samira Azzam, Ghassan ...
Global Arab Fiction explores twenty-first-century fiction set in north and east Africa, the Gulf, the Arab east, and diaspora, showing diversity and connections across Arab world contexts. Nadia Atia and Lindsey Moore draw on a substantial literary corpus, highlighting contemporary trends in what is available to Anglophone audiences and considering how Arab fiction circulates as a global commodity. Global Arab Fiction begins by positioning the Arab novel as a global phenomenon. It also explores the influence of literary prizes, notably the International Prize for Arabic Fiction, on the enhanced international visibility of Arab fiction this century. The authors tackle the thorny issue of viol...
Why does crime feature at the center of so many postcolonial novels set in major cities? This book interrogates the connections that can be found between narratives of crime, cities, and colonialism to bring to light the ramifications of this literary preoccupation, as well as possibilities for cultural, aesthetic, and political catharsis. Examining late-twentieth- and twenty-first-century novels set in London, Belfast, Mumbai, Sydney, Johannesburg, Nairobi, and urban areas in the Palestinian West Bank, Criminal Cities considers the marks left by neocolonialism and imperialism on the structures, institutions, and cartographies of twenty-first-century cities. Molly Slavin suggests that literary depictions of urban crime can offer unique capabilities for literary characters, as well as readers, to process and negotiate that lingering colonial violence, while also providing avenues for justice and forms of reparations.
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. What happens when refugees encounter Indigenous sovereignty struggles in the countries of their resettlement? From April to November 1975, the US military processed over 112,000 Vietnamese refugees on the unincorporated territory of Guam; from 1977 to 1979, the State of Israel granted asylum and citizenship to 366 non-Jewish Vietnamese refugees. Evyn Lê Espiritu Gandhi analyzes these two cases to theorize what she calls the refugee settler condition: the fraught positionality of refugee subjects whose resettlement in a settler colonial state is predicated on the unjust dispossession of an Indigenous pop...
Palestine has often been defined and constructed in the global imaginary through conflict, resistance, oppression and violence. Its representation is so overridden with conflicting claims and associations that it remains inaccessible, even to Palestinians. Producing Palestine addresses the creative labour of producing Palestine, particularly in technological and media spaces that are defined by their porousness and by their intermediality – crossing genres of popular culture and disciplinary boundaries. It offers sixteen 'cases' which collectively conceptualize, engage in, and invite readers to participate in the production of Palestine and its theorization. These cases cover a wide array of spaces of production such as poster art, TikTok, virtual technologies, digital mapping, drone footage, online cooking shows, documentaries, music videos and many more. Producing Palestine contends that representations of Palestine carry a multitude of meanings, that Palestine is continually produced and reproduced, dynamically generating new knowledge production across media, languages, temporalities, geographies and disciplines.
Folktales are instrumental in ensuring the survival of oral traditions and strengthening communal bonds. Both the stories and the process of storytelling itself help to define social, cultural and political identity. For Palestinians, the threat of losing their heritage has engendered a sense of urgency among storytellers and Palestinian folklorists. Yet there has been remarkably little academic scholarship dedicated to the tradition. Farah Aboubakr here analyses a selection of folktales edited, compiled and translated by Ibrahim Muhawi and Sharif Kanaana in Speak, Bird, Speak Again (1989). In addition to the folktales themselves, Muhawi and Kanaana's collection is renowned for providing rea...
This book investigates representations of Palestinian refugees in Gaza in colonial, humanitarian and Palestinian documentary films, spanning until the 1993 Oslo Agreement. Chapters examine various film sources throughout this period including British Pathé, newsreels, Quaker and UNRWA documentaries, and Palestinian opposition cinema. British Pathé is considered as a window into the wider colonial depiction of indigenous Palestinians in the British Mandate period; newsreels are examined as representations of the plight of Palestinian refugees in Gaza after Israel's proclamation and Gaza-focused humanitarian documentaries shot by the Quakers and UNRWA are compared. The final chapters trace t...
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Palestinian writing imagines the nation, not as a nation-in-waiting but as a living, changing structure that joins people, place, and time into a distinct set of formations. Novel Palestine examines these imaginative structures so that we might move beyond the idea of an incomplete or fragmented reality and speak frankly about the nation that exists and the freedom it seeks. Engaging the writings of Ibrahim Nasrallah, Nora E. H. Parr traces a vocabulary through which Palestine can be discussed as a changing and flexible national network linking people across and within space, time, and community. Through an exploration of the Palestinian literary scene subsequent to its canonical writers, Parr makes the life and work of Nasrallah available to an English-language audience for the first time, offering an intervention in geography while bringing literary theory into conversation with politics and history.