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This is the fascinating, first-hand story of the groundbreaking invention by Nobel prizewinner Karl Ziegler and the patent fights between his research team at the Max Planck Institute of Carbon Research in Germany and the "giants" of the petrochemicals industry, such as Du Pont and Esso. The author joined Ziegler's group throughout the entire period, providing an entertaining case study of an innovative chemical discovery, presenting interesting historical as well as scientific information. An impressive example of the fights between academia and industry concerning patent rights and the economic utilization of academic research innovations.
A beautiful story of love and redemption set in the aftermath of World War II—perfect for fans of The Longest Echo and The Tattooist of Auschwitz. Munich, 1945. Max Fischer cannot remember anything from his life before the concentration camp. Not his family, not his occupation, not even his own name. All he is left with is the sickening, maniacal laugh that echoes in his head. More than haunting his every waking moment, the laugh is Max’s only connection to his lost past. For a holocaust survivor, recalling the past comes with a heavy toll. Just months after the allied forces liberated the camp that interned him, Max is introduced to the beautiful and wealthy Alexandra Brecholdt. The for...
How diamonds have been the cause of widespread death, misery, & destruction for almost a decade in the West African country of Sierra Leone. Through the 1990s, Sierra Leone's rebel war became a tragedy of major humanitarian, political & historic proportions, but the story goes back 60 years, to the discovery of the diamonds. The diamond mining sector has become influenced by organized crime & by the smuggling not just of diamonds, but of guns & drugs, & by vast sums of money in search of a laundry. No peace agree. would be sustainable until the problems of mining & selling diamonds had been addressed, both inside Sierra Leone & internationally. Tables.
Part II of The Iniquities Trilogy continues to examine the relationships in the Donaldson family. A love story is set against the gradual unravelling of one man's secrets, showing how his actions have shaped the destiny of all generations in the family.
This volume addresses the construction and artistic representation of traumatic memories in the contemporary Western world from a variety of inter- and trans-disciplinarity critical approaches and perspectives, ranging from the cultural, political, historical, and ideological to the ethical and aesthetic, and distinguishing between individual, collective, and cultural traumas. The chapters introduce complementary concepts from diverse thinkers including Cathy Caruth, Jacques Derrida, Judith Butler, Homi Bhabha, Abraham and Torok, and Joyce Carol Oates; they also draw from fields of study such as Memory Studies, Theory of Affects, Narrative and Genre Theory, and Cultural Studies. Traumatic Memory and the Political, Economic, and Transhistorical Functions of Literature addresses trauma as a culturally embedded phenomenon and deconstructs the idea of trauma as universal, transhistorical, and abstract.
The Holocaust in Vichy France in 1944 is the culmination of this study. For readers of World War II.
This book is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear.
When Steven Soderbergh exploded onto movie screens with sex, lies, and videotape in 1989, it represented more than the arrival of an important new director--it heralded the arrival of an entire generation of important new directors. Quentin Tarantino (Pulp Fiction), Kevin Smith (Dogma), David Fincher (Fight Club), M. Night Shyamalan (The Sixth Sense), Ben Stiller (Reality Bites), Michael Bay (Pearl Harbor), and dozens of others are all members of Generation X, the much talked about but much misunderstood successors to baby boomers. This book is a critical study of the films directed by Gen Xers and how those directors have been influenced by their generational identity. While Generation X as...
Wes Anderson's films can be divisive, but he is widely recognized as the inspiration for several recent trends in indie films. Using both practical and theoretical lenses, the contributors address and explain the recurring stylistic techniques, motifs, and themes that dominate Anderson's films and have had such an impact on current filmmaking.