Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Performance: pt. 1. Identity and the self
This collection reflects not only the multidisciplinary nature of current thinking about performance, but also the complex and contested nature of the concept itself.
Performance: pt. 1. Foundations and definitions
This collection reflects not only the multidisciplinary nature of current thinking about performance, but also the complex and contested nature of the concept itself.
Raising the Dead
DIVThrough a series of literary and cultural readings, argues that African-Americans have a special relation to death arising from their death-like social marginality./div
The Feminist Spectator as Critic
This groundbreaking work in gender and performance, with a new introduction and updated bibliography
The Transparency of the Text
Josette Féral & Donia Mounsef Editors' Preface: The Transparency of the Text Part I: Avant and Après Garde Tom Bishop Whatever Happened to the Avant-Garde? Jean-Pierre Ryngaert Paroles en lambeaux et écritures d'entreparleurs Bernadette Bost Beyond Drama: Total Theater Ariane Eissen Myth in Contemporary French Theater: A Negotiable Legacy Josette Féral Language Crossings: The Unspoken Must Be Said Part II: (Under)writing the Stage David Bradby Michel Vinaver: From Writing to Staging Donia Mounsef The Language of Desire and the Desire for Language in the Theatre of Koltès and Cixous Clare Finburgh Voix/Voie/Vie: The Voice in Contemporary French Theatre Mary Noonan L'Art de l'écrit s'incarnant: The Theatre of Noëlle Renaude Part III: Disputed Textualities Judith Miller Is There A Specifically Francophone African Stage Textuality? Sylvie Chalaye Contemporary Francophone Writings for the Theater from Africa and the West Indies Yves Jubinville Death and Birth of the Author: Toward a New History of Québécois Playwriting Philippa Wehle "Waiting for the Next Big Thing": Why Do American Audiences Have Such Difficulty with Contemporary French Playwrights?
The (M)other Tongue
This timely and provocative collection of sixteen essays combines feminist and psychoanalytic approaches to literary theory and to the reading of literary texts. It demonstrates not only the ways in which psychoanalytic theory can illuminate traditional literary texts, but also the ways in which feminist theory can modify, enlarge, and in some instances transform the body of psychoanalytic literature. Treating psychoanalysis as a form of narrative as well as a method of interpretation, the editors have divided their collection into three sections: 1) interpretations of the relation between contemporary feminism and Freud; 2) rereadings of classic patriarchal texts in the light of psychoanaly...
Deathtraps
Shows the comedy thriller to be a singularly postmodern form. This work examines various elements of the thriller - openings, settings, characters, plot lines, the role of the audience, and endings - and shows how they work to overturn the conventions of realism in detective drama.
Women in Asian Performance
Women in Asian Performance offers a vital re-assessment of women's contributions to Asian performance traditions, focusing for the first time on their specific historical, cultural and performative contexts. Arya Madhavan brings together leading scholars from across the globe to make an exciting intervention into current debates around femininity and female representation on stage. This collection looks afresh at the often centuries-old aesthetic theories and acting conventions that have informed ideas of gender in Asian performance. It is divided into three parts: erasure – the history of the presence and absence of female bodies on Asian stages; intervention – the politics of female intervention into patriarchal performance genres; reconstruction – the strategies and methods adopted by women in redefining their performance practice. Establishing a radical, culturally specific approach to addressing female performance-making, Women in Asian Performance is a must-read for scholars and students across Asian Studies and Performance Studies.
The Novel and Theatrical Imagination in Early Modern China
Using the concept of theatricality to study Water Margin and Journey to the West, this study illustrates how writing and reading in early modern China became fused with a theatrical imagination in response to destabilizing social and political forces.
