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Blossom In Winter
A collection of poetry featuring over 70 poets from across Canada (and beyond). Topics and styles range completely across the board, making this a collection anybody can find something in to relate to. A portion of the proceeds from the sale of this collection go to Smash The Stigma Canada and the Canadian Mental Health Association.
Flowers In The Margin
Its hard to say im a writer, 'cuz I'm also a painter, a mother, a daughter, and a little sad. Wanna hear about it?
Like a Lava Lamp
Like a Lava Lamp is a short poetry book by Sydney Dick a small poet located in Saskatoon, Saskatchewan. It is a collection of poems written throughout her high school years and they show an excellent growth in her writing and portrays the usual struggles of a high school student including heartbreak, depression and the struggle to find oneself
The Descendants of Phinehas Holcombe (1759-1833) of New Hartford, Connecticut
Phinehas Holcomb (1759-1833) was born in West Granby, Connecticut. He married Elizabeth Gibbs Moore (1763-1826), the daughter of Jonah Moore and Mary Ridout, in 1781 in Congregational Church, Turkey Hills, East Granby, Connecticut. He is the progenitor of the New Hartford branch of Holcomb(e) family. He had nine children. Descendants live in Connecticut, California, Massachusetts and else- where.
Border/lines
None
My Worthless Heart
A collection of poetry by Josh Poitras. Themes range from relationships, to addiction, to depression, to love, loss and everything in between. These poems were written while the author was picking up and rearranging his broken pieces.
Astro Noise
Published on the occasion of the the exhibition "Laura Poitras: Astro Noise," at the Whitney Museum of American Art, February 5 - May 15, 2016.
Speaking Truths with Film
"What issues, of both form and content, shape the documentary film? What role does visual evidence play in relation to a documentary's arguments about the world in which we live? Can a documentary be believed, and why or why not? How do documentaries abide by or subvert ethical expectations? Are mockumentaries a form of subversion? In what ways can the documentary be an aesthetic experience and at the same time have political or social impact? And how can such impacts be empirically measured? Pioneering film scholar Bill Nichols investigates the ways in which documentaries strive for accuracy and truthfulness, but simultaneously fabricate a form that shapes reality. Such films may rely on re...
