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Preliminary Material -- INTRODUCTION -- HISTORY AND THE NOVEL: AN OVERVIEW -- MASTERING THE ART: THE HISTORICAL NOVEL AND LOCAL COLOR -- BETWEEN MAGIC AND MADNESS: A PORTRAIT OF SPAIN AND ITS NEUROSES -- POSTMODERN CRITIQUE AND THE HAND OF THE HISTORIAN -- CHAOS, COMPLEXITY AND INTERPRETATION -- BEYOND REFERENCE: HISTORIOGRAPHIC METAFICTION IMPINGED BY SCIENCE FICTION -- THE NOVEL NEVER ENDS: ON ALTERNATIVE WORLDS, JEWISH CONNECTIONS AND INFINITE REGRESS -- CONCLUDING REMARKS -- NOVELS PUBLISHED BY MILTON LESSER UNDER THE FOLLOWING NAMES OR PSEUDONYMS -- SHORT STORIES -- BIBLIOGRAPHY -- INDEX.
However you view the present time, it is a new century, a new world, and also a new humanity - in fact, humanity is not something that was ever defined once and for all, but remains an open project. For several decades we have been witnessing a revolution. However, unlike the political and ideological revolutions that took place around the First World War, this is a technological and much more radical one that does not depend on people's beliefs, but rather on the tireless labour of machines. The rise of automation has brought about a revelation of something that had hitherto remained hidden in the workshops of homo faber. That is, there are very few functions, apart from consumption, where ...
Voy caminando. Una chica se detiene a medio andar con su teléfono en la mano. Lo levanta a la altura de la cabeza. Extiende su brazo, recto, firme, ahora un poco más alto. La joven sonríe a la pantalla (a la imagen proyectada en la pantalla, ese pequeño espejito digital que es el teléfono); levanta las cejas, saca la lengua, inclina la cabeza, y finalmente, el “click” de la selfie. Luego, deja lo suyo y yo dejo de mirar. Sigo mi camino hacia nuevos horizontes. Con todo, por un momento, mi pensamiento sigue ahí: en la chica y el autorretrato. Sé que la cosa no termina ahí. Sé que la selfie no es, justamente, material de archivo; que no va a hundirse ni a perderse en la memoria de...
Produced in Italy from the turn of the 20th century, "sword and sandal" or peplum films were well received in the silent era and attained great popularity in the 1960s following the release of Hercules (1959), starring Mr. Universe Steve Reeves. A global craze for Bronze Age fantasy-adventures ensued and the heroic exploits of Hercules, Maciste, Samson and Goliath were soon a mainstay of American drive-ins and second-run theaters (though mainly disparaged by critics). By 1965, the genre was eclipsed by the spaghetti western, yet the 1960s peplum canon continues to inspire Hollywood epics. This filmography provides credits, cast and comments for dozens of films from 1908 through 1990.
The teaching profession has a long history in motion pictures. As early as the late 19th century, films have portrayed educators of young children--including teachers, tutors, day care workers, nannies, governesses, and other related occupations--in a variety of roles within the cinematic classroom. This work provides a broad index of more than 800 films (both U.S. and foreign) which feature educators as primary characters. Organized alphabetically by title, each entry contains a short plot summary and many also include cast and crew details. A detailed subject index is also included.
The July 1936 coup d'tat against the Spanish Second Republic brought together a diversity of anti-Republican political and social groups under the leadership of rebel Africanista military officers. In the ensuing Civil War this coalition gradually came under the rule of Generalissimo Franco. This volume explores the hypothesis that the violence and combat experiences of the war were the fundamental ideological crucible for the Francoist regime. The rebels were a group of reactionary and anti-liberal forces with little ideological or political coherence, but they emerged from the conflict not only victorious but ideologically united under the dictator's power. Key to understanding this transi...
This revised and greatly expanded edition of a well-established reference book presents 5105 feature length (four reels or more) Western films, from the early silent era to the present. More than 900 new entries are in this edition. Each entry has film title, release company and year, running time, color indication, cast listing, plot synopsis, and a brief critical review and other details. Not only are Hollywood productions included, but the volume also looks at Westerns made abroad as well as frontier epics, north woods adventures and nature related productions. Many of the films combine genres, such as horror and science fiction Westerns. The volume includes a list of cowboys and their horses and a screen names cross reference. There are more than 100 photographs.
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The annual publication Antisemitism Worldwide is compiled by the Stephen Roth Institute for the Study of Contemporary Antisemitism and Racism at Tel Aviv University. Unique in scope, structure, and variety of sources, this volume is an analysis of antisemitism in 2000 and early 2001. It includes scholarly articles and book reviews as well as country-by-country surveys. In 2000, the number of major violent acts of antisemitism more than doubled from 1999, and other acts of violence increased by over 50 percent. Antisemitism Worldwide is based on information systematically collected by the institute throughout the world in many languages, then summarized and computerized in its database in English. The source materials come from individuals and institutes, all forms of media, ministries, and committees, as well as Jewish communities and organizations.
With more than 180 films during a career spanning several decades, Jesus Franco (1930-2013) was an extraordinarily prolific and chameleon-like Spanish director, covering virtually every genre from horror to film noir, adventure and erotic, and adapting to all kinds of productions. A one-of-a-kind filmmaker, he was boldly original in the themes, style, and in his idea of cinema. This book examines his life and career between his first short film to the moment he cut his ties with his home country and became an "international" director, with a detailed production history and critical analysis of his films, placing his work within the social and political context of Spanish culture, politics, a...