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A sweeping intellectual history of the relationship between literary translation, authoritarian politics, linguistic ideologies, juristic philology, religion, and poetry in late nineteenth-century Colombia.
Legitimizing the Queen deals with a genre particular to the Middle Ages: the specula principum (mirror of prince). Its importance as an object of study may be understood in light of the political instability that wracked the Castilian fifteenth century. The many works written for and dedicated to Isabel I of Castile depict her kingdom as a shipwrecked boat, a wayward realm, and a land of bankrupt people. These works suggest the kingdom's need for redemption through the strong leadership of theCatholic monarchs. These largely propagandistic works were designed to garner power, and once maintained, further Isabel's agenda. This book frames the concept of sovereignty from the theoretical perspe...
Twilight of the Avant-Garde addresses the central problem of contemporary Spanish poetry: the attempt to preserve the scope and ambition of modernist poetry at the end of the twentieth century. Offering a critical analysis of Luis Garcìa Montero’s “poetry of experience,” and the work of José Angel Valente and Antonio Gamoneda, among others, Mayhew challenges received notions about the value of poetic language in relation to the society and culture at large. Ultimately championing the survival of more challenging and ambitious modes of poetic writing in the postmodern age, this volume argues that the cultural ambition of modernist poetics remains alive and well in our age of cynicism.
Crowds presents several layers of meditation on the phenomenon of collectivities, from the scholarly to the personal; it is the most comprehensive cross-disciplinary publication on crowds in modernity. For more information, visit http://shl.stanford.edu/Crowds
In the Shoes of the Other Interdisciplinary Essays in Translation Studies from Cairo “This anthology continues a tradition that is intended to give impetus to the development of Egyptian and Arab discourses on translation both within and beyond the American University in Cairo. It is a welcome and important contribution to raising the profile of translation, in all its forms, and of translators in the region.” Mona Baker, University of Manchester “Since its founding, the Center for Translation Studies has hosted an astonishing number of academic events that are among the most intellectually serious and internationally prominent of AUC’s activities in the humanities; this has been not...
Analyzes theatrical texts and performances while providing political and historical mappings. In The Aesthetics of the Ephemeral, Jennifer Duprey examines five contemporary plays from Barcelona: Olors and Testament by Josep Maria Benet i Jornet, Antígona by Jordi Coca, Forasters by Sergi Belbel, and Temptació by Carles Batlle. She argues that in both the theatrical text and its performance an aesthetics of the ephemeral materializes that is related to specific manifestations of cultural and historical memory in Spain and Catalonia. These manifestations of memory include historical concerns such as the possibility of another form of justice in predicaments of violence after the Civil War, a...
In this first book-length study in the fieldof authorial criticism, various specialists from Italian, French, English, and Spanish studies collectively discuss literary careers spanning from classical antiquity through the Renaissance.
Love poetry in the Spanish Golden Age redefines the lyric poetry that is located at the centre of Imperial Spanish culture's own self-image and self-definition. This work engages with a broader evaluation of early modern poetics that foregrounds the processes rather than the products of thinking. The locus of the study is the Imperial 'home' space, where love poetry meets early modern empire at the inception of a very conflicted national consciousness, and where the vernacular language, Castilian, emerges in the encounter as a strategic site of national and imperial identity. The political is, therefore, a pervasive presence, teased out where relevant in recognition of the poet's sensitivity...
A collection examining representations of the embodied self in the writings of Milton and his contemporaries.
Focusing on literary texts produced from 2000 to 2009, Lorraine Ryan examines the imbrication between the preservation of Republican memory and the transformations of Spanish public space during the period from 1931 to 2005. Accordingly, Ryan analyzes the spatial empowerment and disempowerment of Republican memory and identity in Dulce Chacón’s Cielos de barro, Ángeles López’s Martina, la rosa número trece, Alberto Méndez’s ’Los girasoles ciegos,’ Carlos Ruiz Zafón ́s La sombra del viento, Emili Teixidor’s Pan negro, Bernardo Atxaga’s El hijo del acordeonista, and José María Merino’s La sima. The interrelationship between Republican subalternity and space is redefine...