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This New & Poisonous Air
  • Language: en
  • Pages: 133

This New & Poisonous Air

She admits she is pleased when the new placard is raised, "Madame Tussaud's House of Wax." She stands in the crowd with François at her side. He leans close enough to touch her ear with the fringe of his mustache and whispers, "What part of the museum would the famous Madame Tussaud like to survey on her inaugural visit?" "The Chamber of Horrors, I think," she says softly. "Really, my dear? All that grim fantasy and blood?" "There is no fantasy about it, François. It is an embryo, a showing of what is to come." Blending historical fiction with fantasy and the macabre, Adam McOmber's debut short story collection brings the influence of Angela Carter, Isak Dinesen, and Edgar Allan Poe to the...

Hollywood Cartoons
  • Language: en
  • Pages: 670

Hollywood Cartoons

  • Categories: Art

In Hollywood Cartoons, Michael Barrier takes us on a glorious guided tour of American animation in the 1930s, '40s, and '50s, to meet the legendary artists and entrepreneurs who created Bugs Bunny, Betty Boop, Mickey Mouse, Wile E. Coyote, Donald Duck, Tom and Jerry, and many other cartoon favorites. Beginning with black-and-white silent cartoons, Barrier offers an insightful account, taking us inside early New York studios and such Hollywood giants as Disney, Warner Bros., and MGM. Barrier excels at illuminating the creative side of animation--revealing how stories are put together, how animators develop a character, how technical innovations enhance the "realism" of cartoons. Here too are colorful portraits of the giants of the field, from Walt and Roy Disney and their animators, to Bill Hanna and Joe Barbera. Based on hundreds of interviews with veteran animators, Hollywood Cartoons gives us the definitive inside look at this colorful era and at the creative process behind these marvelous cartoons.

A Typographic Workbook
  • Language: en
  • Pages: 400

A Typographic Workbook

Lavishly illustrated with more than 450 images, A Typographic Workbook, Second Edition explains the process successful designers use to select, space, and creatively integrate fonts. This essential text demonstrates the use of type as a dynamic and expressive communication tool. This edition provides new and updated coverage of a broad range of topics–from a logical, clear historical overview of the craft to the latest digital technologies. Known for its highly interactive format, this Second Edition continues to include helpful review questions and multiple-choice quizzes, as well as many new projects and skill-building exercises that help readers immediately apply what they have learned. A Typographic Workbook, Second Edition is a valuable professional resource for working designers and an indispensable training tool for graphic design students.

Children of Atlantis
  • Language: en
  • Pages: 192

Children of Atlantis

The Children of Atlantis is a collection of statements by a hundred young people who have fled various parts of the former Yugoslavia in the face of war and destruction, nationalism, hatred and ethnic cleansing, the pressure to take sides, and the draft. As refugees, they are seeking to continue or complete their education at universities around the world, all the while confronting the task of making something of their lives amid the catastrophe that has overwhelmed them, their families, and their homeland. Gathered here are extracts from essays written by the students describing the circumstances that drove them to leave their homes, and the different ways (both optimistic and bleak) they e...

Adrian Frutiger – Typefaces
  • Language: en
  • Pages: 459

Adrian Frutiger – Typefaces

The international creation of typefaces after 1950 was decisively influenced by the Swiss type designer Adrian Frutiger. His Univers typeface and the machine-readable font OCR-B, which was adopted as an ISO standard, are milestones, as is his type for the Paris airports, which set new standards for signage types and evolved into the Frutiger typeface. With his corporate types, he helped to define the public profiles of companies such as the Japanese Shiseido line of cosmetics. In all he created some fifty types, including Ondine, Méridien, Avenir, and Vectora. Based on conversations with Frutiger himself and on extensive research in France, England, Germany, and Switzerland, this publication provides a highly detailed and accurate account of the type designer’s artistic development. For the first time, all of his types – from the design phase to the marketing stage – are illustrated and analyzed with reference to the technology and related types. Hitherto unpublished types that were never realized and more than one hundred logos complete the picture.

Glass Grapes
  • Language: en
  • Pages: 120

Glass Grapes

Glass Grapes and Other Stories is the first full-length collection of short stories by distinguished poet and fiction writer Martha Ronk. Ronk’s work has garnered critical accolades and numerous awards, including, most recently, a 2005 PEN USA Award in poetry, a 2007 NEA Fellowship, and a 2007 National Poetry Series Award. Glass Grapes is a collection of short, experimental stories, usually dominated by an object imbued with fetishistic qualities by an obsessive, self-involved narrator. The language of these stories is repetitive, provocative, imagistic, occasionally comic, and unnerving. Ronk’s fiction moves with the same grace, beauty, and attention to language as her most accomplished poetry.

Fall of the New Class
  • Language: en
  • Pages: 408

Fall of the New Class

  • Type: Book
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  • Published: 1998
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  • Publisher: Knopf

He was a true believer in communism who became disillusioned with the totalitarianism and corruption of the Communist regimes in the Soviet Union and Eastern Europe. A wartime partisan leader in Yugoslavia and later the number three man in the politburo, he broke with Marshal Tito in 1954 and spent most of the next decade in prison, where he began to write about the inner workings of the Communist system. Here, Milovan Djilas--who died in 1995-- discusses why communism failed in Europe, what its failure means for the future of the continent, and how he transformed himself from ideologue into humanist. ;;;;;;;; Djilas's publication, in 1957, of The New Class, which was translated into sixty l...

An A-Z of Type Designers
  • Language: en
  • Pages: 207

An A-Z of Type Designers

This illustrated A-Z features outstanding type designers from around the world, from Gutenberg to the present day. Arranged alphabetically by designer's name, the book contains over 260 biographical profiles. Entries are illustrated by key typefaces taken from a wide range of sources, including type specimens, original posters, private press editions and magazine covers, and also give a list of work and, where applicable, further reading references and a website address. An essential reference for typographers, graphic designers and students, the book also features a full index and eight short texts by leading typographers - Jonathan Barnbrook, Erik van Blokland, Clive Bruton, John Downer, John Hudson, Jean Francois Porchez, Erik Spiekermann and Jeremy Tankard - that cover a variety of different aspects of type design, including typeface revivals, font piracy, designing fonts for corporate identities and the role of nationality in type design.

Elephants & Butterflies
  • Language: en
  • Pages: 92

Elephants & Butterflies

Elephants & Butterflies combines the imaginative forays of The Vandals with the more meditative approach of Love Song with Motor Vehicles. Both wild and calm, boisterous and quiet, the poems in Elephants & Butterflies use surprise, song, and startling metaphor while allowing the ideas to simmer just below the surface of the lyric. The poems manage the difficult task of being highly readable and accessible, while still containing complex philosophical and personal knowledge. Alan Michael Parker (www.amparker.com) teaches at Davidson College in Davidson, North Carolina. He also teaches at Queens University, where he is core faculty in the low-residency MFA program.

Font Technology
  • Language: en
  • Pages: 468

Font Technology

Computers have changed typography and prepress as well as printing. Typefaces are manufactured by "digital punch cutters" with a PC, not any more by punch cutters. Typefaces are constructed an output by a new technolgy, the so-called fonttechnology. The book by Peter Karow covers the whole area of it. It offers various chapters about (among others) issues like intelligent font scaling, kerning, quality of type, legibility, and problems of different output devices. It is interesting to read about Gutenberg setting, the font market, optical scaling, and last but not least a "hand on" Kanjhi, the Chinese/Japanese Glyphs. Furthermore, Fonttechnology contains a number of valuable and instructive appendices. Almost everything one has to know about type and computers!