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This first reprint of Knister’s verse in more than 20 years represents a major step forward, collecting dozens of poems for the first time in book form and printing 30 additional poems, as well as numerous letters and prose pieces.
This series presents a comprehensive, global and up-to-date history of English-language prose fiction and written ... by a international team of scholars ... -- dust jacket.
Trehearne observes that in most cases the Aesthetic influence was sustained through the entire career of the poets whose work he examines. Although later affected by the Modernists, their works continued to be shaped and distinguished by an early Aesthetic training. In the case of A.J.M. Smith, for example, his initial thematic and stylistic Aetheticism affects his mature critical pronouncements. John Glassco, who was influenced by the Aesthetic and Modernist ideas throughout his career, created a unique form of Aesthetic modern poetry. Trehearne's new readings of major and minor Canadian poets make Aestheticism and the Canadian Modernists a central text in the assessment of Canadian literary history from a contemporary point of view.
Times change, lives change, and the terms we need to describe our literature or society or condition—what Raymond Williams calls “keywords”—change with them. Perhaps the most significant development in the quarter-century since Eli Mandel edited his anthology Contexts of Canadian Criticism has been the growing recognition that not only do different people need different terms, but the same terms have different meanings for different people and in different contexts. Nation, history, culture, art, identity—the positions we take discussing these and other issues can lead to conflict, but also hold the promise of a new sort of community. Speaking of First Nations people and their literature, Beth Brant observes that “Our connections … are like the threads of a weaving. … While the colour and beauty of each thread is unique and important, together they make a communal material of strength and durability.” New Contexts of Canadian Criticism is designed to be read, to work, in much the same manner.
This monograph is the first academic work to apply a neo-Marxist approach to 20th-century Canadian social realist novels, pursuing a refreshingly (neo-)Marxist approach to such issues as Bakhtinian notions of the novelistic form and dialogism as applied to Canadian socio-political novels influenced by various socialisms, socialist-feminist concerns, economic and sexual politics, and the genre of social realism. In so doing, it demonstrates that Marxist socialism is as relevant today as it was in the 1930s, just as social realist novels continue to thrive as a critique of capitalism. Readers will find valuable insights into the social significance, formal innovations, moral sensitivity, aesthetic enrichment, and ideological complexity of Canadian social realist novels.
Canada and the Idea of North examines the ways in which Canadians have defined themselves as a northern people in their literature, art, music, drama, history, geography, politics, and popular culture. From the Franklin Mystery to the comic book superheroine Nelvana, Glenn Gould's documentaries, the paintings of Lawren Harris, and Molson beer ads, the idea of the north has been central to the Canadian imagination. Sherrill Grace argues that Canadians have always used ideas of Canada-as-North to promote a distinct national identity and national unity. In a penultimate chapter - "The North Writes Back" - Grace presents newly emerging northern voices and shows how they view the long tradition of representing the North by southern activists, artists, and scholars. With the recent creation of Nunavut, increasing concern about northern ecosystems and social challenges, and renewed attention to Canada's role as a circumpolar nation, Canada and the Idea of North shows that nordicity still plays an urgent and central role in Canada at the start of the twenty-first century.
Provides the first history of the North American farm novel, a genre which includes John Steinbeck's The Grapes of Wrath, Sheila Watson's The Double Hook, and Louis Hémon's Maria Chapdelaine. From John Steinbeck's The Grapes of Wrath and Martha Ostenso's Wild Geese to Louis Hémon's Maria Chapdelaine, some of the most famous works of American, English Canadian, and French Canadian literature belongto the genre of the farm novel. In this volume, Florian Freitag provides the first history of the genre in North America from its beginnings in the middle of the nineteenth century to its apogee in French Canada around the middleof the twentieth. Through surveys and selected detailed analyses of a...
Beginning in the 1890s, reaching its first full realization by modernist writers in the 1920s, and brought to its heyday during the Canadian Renaissance starting in the 1960s, the short story has become Canada's flagship genre. It continues to attract the country's most accomplished and innovative writers today, among them Margaret Atwood, Mavis Gallant, Alice Munro, Carol Shields, and many others. Yet in contrast to the stature and popularity of the genre and the writers who partake in it, surprisingly little literary criticism and theory has been devoted to the Canadian short story. This collection redresses that imbalance by providing the first collection of critical interpretations of a ...
Includes biographies of Charles Mair, Charles Sangster, Isabella Valancy Crawford, Charles Heavysege, Archibald Lampman, D.C. Scott, Bliss Carman, Charles G.D. Roberts, William Wilfred Campbell, W.W.E. Ross, Raymond Knister, Dorothy Livesay, E.J. Pratt, A.J.M. Smith, F.R. Scott, A.M. Klein, Leo Kennedy, Robert Finch, Earle Birney, Irving Layton, Louis Dudek, Raymond Souster, Miriam Waddington, Jay Macpherson, Margaret Avison, Ralph Gustafson, Anne Wilkinson, P.K. Page, Al Purdy, Phyllis Webb, James Reaney, Alden Nowlan, Milton Acorn, George Bowering, Daphne Marlatt, bpNichol, Michael Ondaatje, bill bissett, Dennis Lee, Gwendolyn MacEwen, D.G. Jones, Patrick Lane, Margaret Atwood, John Newlove, Eli Mandel, Robert Kroetsch, Joe Rosenblatt, and Leonard Cohen.
This collection of essays is an attempt by bill bissett's family to define a brother for whom brotherhood is the desideratum behind every brush stroke or utterance. bill bissett is family to everyone who knows him, as he has created a grid of light that connects strangers. Included are essays by Jaime Reid, Jay Ruzesky, Susan Musgrave, Joy Kurapatwa, Scott Watson, Adeena Karasick, and Tim Carlson.