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Machado de Assis
Joaquim Maria Machado de Assis (1839-1908) never left Brazil and rarely traveled outside his native city of Rio de Janeiro, yet he is widely acknowledged by those who have read him as one of the major authors of the nineteenth century. His works are full of subtle irony, relentless psychological insights, and brilliant literary innovations. Yet, because he wrote in Portuguese, a language outside the mainstream of Western culture, those with access to his writings are relatively few. This book is designed not only to call new attention to this master but also to raise questions about the nature of literature itself and current alternative views on how it can be approached. Four essays address...
Brill’s Companion to Classics in the Early Americas
Brill’s Companion to Classics in the Early Americas illuminates the remarkable range of Greco-Roman classical receptions across the western hemisphere from the late fifteenth to the early nineteenth century. Bringing together fifteen essays by scholars working at the intersection of Classics and all aspects of Americanist studies, this unique collection examines how Hispanophone, Lusophone, Anglophone, Francophone, and/or Indigenous individuals engaged with Greco-Roman literary cultures and materials. By coming at the matter from a multilingual transhemispheric perspective, it disrupts prevailing accounts of classical reception in the Americas which have typically privileged North over South, Anglophone over non-Anglophone, and the cultural production of hegemonic groups over that of more marginalized others. Instead it offers a fresh account of how Greco-Roman literatures and ideas were in play from Canada to the Southern Cone to the Caribbean, treating classical reception in the early Americas as a dynamic, polyvocal phenomenon which is truly transhemispheric in reach.
La historia cultural
Desde hace dos o tres décadas la historia cultural ocupa un lugar preferente en la escena historiográfica, aunque con desfases cronológicos y distintas modalidades dependiendo de las circunstancias nacionales y, en este sentido, se impone una aproximación comparativa. El presente volumen pretende inscribirse en esta perspectiva, preguntándose por la realidad de un «giro cultural» en la historiografía mundial. Los numerosos colaboradores han aceptado responder a un plan de trabajo en el que, partiendo de la situación historiográfica de cada país, se analicen las modalidades de surgimiento y de estructuración de la historia cultural. La meta buscada no es normativa y contempla un planteamiento que combina el análisis de las obras, las singularidades de las coyunturas historiográficas y la organización de los mercados universitarios.
Latin American Literature in Transition Pre-1492–1800
The year 1492 invokes many instances of transition in a variety of ways that intersected, overlapped, and shaped the emergence of Latin America. For the diverse Native inhabitants of the Americas as well as the people of Europe, Africa, and Asia who crossed the Atlantic and Pacific as part of the early-modern global movements, their lived experiences were defined by transitions. The Iberian territories from approximately 1492-1800 extended from what is now the US Southwest to Tierra del Fuego, and from the Iberian coasts to the Philippines and China. Built around six thematic areas that underline key processes that shaped the colonial period and its legacies – space, body, belief systems, literacies, languages, and identities – this innovative volume goes beyond the traditional European understanding of the lettered canon. It examines a range of texts including books published in Europe and the New World and manuscripts stored in repositories around the globe that represent poetry, prose, judicial proceedings, sermons, letters, grammars, and dictionaries.
Early Modern Prophecies in Transnational, National and Regional Contexts (3 vols.)
In this 3-volume set of primary sources, Lionel Laborie and Ariel Hessayon bring together a wide range of vital sources for the study of prophecy in the early modern world. This meticulously edited collection includes rare material and fascinating manuscripts published in English for the first time. Volumes are organised geographically, each with its own introduction by a specialist. Together with their respective contributors, they show how prophecies circulated widely throughout this period at all levels of society. Indeed, they often emerged in times of crisis and were delivered as warnings as well as signals of hope. Moreover, they were constantly adapted and translated to suit ever changing contexts – including those for which they had not been originally intended. Contributors include: Viktoria Franke, Monika Frohnapfel, William Gibson, Mayte Green, Marios Hatzopoulos, Jacqueline Hermann, Ariel Hessayon, Warren Johnston, Lionel Laborie, Adelisa Malena, Andreas Pečar, Martin Pjecha, Michael Riordan, Luís Filipe Silvério Lima, Damien Tricoire, Leslie Tuttle, and Kristine Wirts.
Through Cracks in the Wall
Recent comparative, interdisciplinary scholarship has underscored the Inquisition’s function in the imperial and colonial Iberian world, particularly in relation to the development of modernity. This book illustrates and enhances these debates on the Inquisition’s relationship to imperialism, colonialism, and modernity through specific case studies of New Christians who became the target of the Inquisition. Drawing on research in the archives of the Spanish and the Portuguese Inquisition in different parts of the Iberian Atlantic World, it analyzes literary writings and inquisitorial testimonies produced by individuals of Jewish heritage who lived in the Iberian Atlantic world during the sixteenth, seventeenth and eighteenth centuries, and brings to light the direct and mediated discourse produced by New Christians, revealing the still veiled contributions of an important but understudied ethnic and social group.
White Light
White Light: The Poetry of Alberto Blanco examines the interplay of complementary images and concepts in the award-winning Mexican writer's cycle of poems from 1979 to 2018. Blanco’s poetic trilogy A la luz de siempre is characterized by its broad range of form and subject and by the poet's own eclectic background as a chemist, maker of collages, and musician. Blanco speaks the language of the visual arts, science, mathematics, music, and philosophy, and creates work with deep interdisciplinary roots. This book explores how polarities such as space and place, reading and writing, sound and silence, visual and verbal representation, and faith and doubt are woven through A la luz de siempre. These complements reveal how Blanco’s poetry, like the phenomenon of white light, embraces paradox and transforms into something more than the sum of its disparate and polychromatic parts.
Dom Casmurro
Like other great nineteenth century novels--The Scarlet Letter, Anna Karenina, Madame Bovary--Machado de Assis's Dom Casmurro explores the themes of marriage and adultery. But what distinguishes Machado's novel and what makes it such a delightful discovery for English-speaking readers, is its eccentric and wildly unpredictable narrative style. As he recounts the events of his life from the vantage of a lonely old age, the narrator Bento continually interrupts his story to reflect on the writing of it. But the novel is more than a performance of stylistic acrobatics. It is an ironic critique of Catholicism, in which God appears as a kind of divine accountant whose ledgers may be balanced in devious as well as pious ways. It is also a story about love and its obstacles, about deception and self-deception, and about the failure of memory to make life's beginning fit neatly into its end.This crisp new translation by John Gledson is the only complete, unabridged, and annotated edition available of one of the most distinctive novels of the turn of the century.
Dreams, Dreamers, and Visions
In this volume, scholars from three continents trace the role of dreams in the cultural transitions of the early modern Atlantic world, illustrating how both indigenous and European methods of understanding dream phenomena became central to contests over religious and political power.
Reading the Illegible
Reading the Illegible examines the history of alphabetic writing in early colonial Peru, deconstructing the conventional notion of literacy as a weapon of the colonizer. This book develops the concept of legibility, which allows for an in-depth analysis of coexisting Andean and non-Native media. The book discusses the stories surrounding the creation of the Huarochirí Manuscript (c. 1598–1608), the only surviving book-length text written by Indigenous people in Quechua in the early colonial period. The manuscript has been deemed “untranslatable in all the usual senses,” but scholar Laura Leon Llerena argues that it offers an important window into the meaning of legibility. The concept...
