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"No Juan Crow!": Documenting the Immigration Debate in Alabama Today
The bill gained quick notoriety for outdoing Arizona, Georgia, and all other states in the restrictions and penalties levied on unauthorized immigrants, as well as on the citizens, community members, employers, and health and law enforcement agencies that assist, employ, or regulate them." This article appears in the Fall 2012 issue of Southern Cultures. The full issue is also available as an ebook. Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
A Concordance to Juan Ruiz Libro de Buen Amor
An exhaustive alphabetical list of all the principal words that were used in Libro de Buen Amor.
Reconnaissance for Radioactivity in the Metal-mining Districts of the San Juan Mountains, Colorado
This report concerns work done on behalf of the U.S. Atomic Energy Commission and is published with the permission of the Commission.
Juan Goytisolo and the Poetics of Contagion
Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Juan Goytisolo and the Politics of Contagion
Juan Goytisolo is arguably Spain’s foremost contemporary novelist. This book is one of the few major studies in English to examine all of his mature works, from Señas de identidad in 1966 to Las semanas del jardín, published in 1997. It focuses on the interface between the thematic content of the novels and its formal expression, viewing this as the crucial nexus of their meaning. Goytisolo’s writing is, in his own words, a ‘commitment of myself ... for a transformation of the world’. The Poetics of Contagion dissects the nature of the relationship between writer and reader to show how Goytisolo’s political commitment is reflected in his work.
Juan de Pareja: Afro-Hispanic Painter in the Age of Velázquez
Diego Velázquez’s portrait of Juan de Pareja (ca. 1608–1670) has long been a landmark of European art, but this provocative study focuses on its subject: an enslaved man who went on to build his own successful career as an artist. This catalogue—the first scholarly monograph on Pareja— discusses the painter’s ties to the Madrid School of the 1660s and revises our understanding of artistic production during Spain’s Golden Age, with a focus on enslaved artists and artisans. The authors illuminate the highly skilled labor within Seville’s multiracial society; the role of Black saints and confraternities in the promotion of Catholicism among enslaved populations; and early twentieth-century scholar Arturo Schomburg’s project to recover Pareja’s legacy. The book also includes the first illustrated and annotated list of known works attributed to Pareja.
