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Hello. This is Jane.
"Judith Arcana's remarkable feat in Hello. This is Jane. is to paint, tile by tile, a complex mosaic of compelling linked stories— children’s playgrounds and adult tattoo parlors, ill-advised lovers and underground abortion activists. In the mainstream and on the edges, you'll feel the urgency of the struggle for reproductive justice as you turn these pages." —Cindy Cooper, Founding Director of Words of Choice and The Reproductive Freedom Festival, Judith Arcana has taught and written about motherhood and reproductive justice for decades. The prose and poetry of Our Mothers’ Daughters, Every Mother’s Son, and What if your mother are feminist classics. The stories in this new collec...
What If Your Mother
Poetry. Judith Arcana, a reproductive rights activist formerly involved in Chicago's pre-Rose v. Wade underground abortion service, imbues her poetry, fiction and essays with the same ferocity, humor and passion that informs her activism. "It's a passionate rush of language, hope in a hard time, truth in the middle of lies. This poetry sparks and burns with the hidden language and stories of women"-Minnie Bruce Pratt.
Announcements from the Planetarium
"Dear Judith Arcana Not only do I like your book, I love it. Could there ever be a collection more endearing? Great wit, music, and pacing. Vivid passionate hungers, all stitched through the nubby fabric of aging with gorgeous shining threads. We can wrap ourselves right up in these poems for courage and verve. Sincerely yours, Naomi Shihab Nye" Announcements from the Planetarium examines aging and changing, wisdom and memory, and includes poems from Arcana's Mixtape Series and her Speculative Music Theory quartet. According to Judith Vollmer, "Judith Arcana's poems [are] both familiar and refreshingly strange .... jagged elegies on 'time available' and 'the short version, ' dazzling crows, lonely streets, and mournful seers, with a hyper-realist eye on the past. Wisdom-riffs earned (wryly) 'perhaps as compensation' counterpoint her portraits of loss: of land, water, and the 'grandmothers [who]/could move like flowers' yet who, "When we came here, [...] would not come." And then: she slips away to an urgent world of 'wind, shining like the flash inside/my skull-' [to] revere and celebrate freedom ...."
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The Movement
A comprehensive and engaging oral history of the decade that defined the feminist movement, including interviews with living icons and unsung heroes—from former Newsweek reporter and author of the “powerful and moving” (New York Times) Witness to the Revolution. For lovers of both Barbie and Gloria Steinem, The Movement is the first oral history of the decade that built the modern feminist movement. Through the captivating individual voices of the people who lived it, The Movement tells the intimate inside story of what it felt like to be at the forefront of the modern feminist crusade, when women rejected thousands of years of custom and demanded the freedom to be who they wanted and ...
Choice Words
A landmark literary anthology of poems, stories, and essays, Choice Words collects essential voices that renew our courage in the struggle to defend reproductive rights. Twenty years in the making, the book spans continents and centuries. This collection magnifies the voices of people reclaiming the sole authorship of their abortion experiences. These essays, poems, and prose are a testament to the profound political power of defying shame. Contributors include Ai, Amy Tan, Anne Sexton, Audre Lorde, Bobbie Louise Hawkins. Camonghne Felix, Carol Muske-Dukes, Diane di Prima, Dorothy Parker, Gloria Naylor, Gloria Steinem, Gwendolyn Brooks, Jean Rhys, Joyce Carol Oates, Judith Arcana, Kathy Acker, Langston Hughes, Leslie Marmon Silko, Lindy West, Lucille Clifton, Mahogany L. Browne, Margaret Atwood, Molly Peacock, Ntozake Shange, Ruth Prawer Jhabvala, Sharon Doubiago, Sharon Olds, Shirley Geok-lin Lim, Sholeh Wolpe, Ursula Le Guin, and Vi Khi Nao.
A House of Her Own
Since the founding of the United States, women have picked up their pens to write and express their ideas, affording them independence and self-sufficiency in days when they had little. By way of their poetry, essays, advice columns, investigative journalism and more, women like Helen Keller, Louisa May Alcott, Charlotte Perkins Gilman and Shirley Jackson wrote not only to entertain and inform, but often to simply keep a roof over their heads. This text offers a unique examination of female New England writers, focusing on their homes. The women wrote in many genres and became literary entrepreneurs, bargaining with editors for higher fees and royalties, participating in marketing campaigns, and seeking advice and help. The homes women bought with their earnings included cottages, suburban houses, farms, and an occasional mansion. Whether modest or luxurious, these houses provided the "room of her own" that Virginia Woolf said every woman needs in order to write. Sometimes that room was an elegant study, and sometimes a corner of the kitchen.
D.H. Lawrence and the Paradoxes of Psychic Life
Contributing to the debate about D. H. Lawrence's relationship with and fictional portrayal of women, this book discusses how the dynamic tensions of his art dramatically reenact the competing forces of psychic and relational life. In her examination of Sons and Lovers, The Rainbow, Women in Love, and various short stories, Schapiro discusses how Lawrence's best works reveal a continual struggle to recognize and be recognized by the other as an independent subject. Drawing on Jessica Benjamin's psychoanalytic theory of intersubjectivity, she also demonstrates how a breakdown of balanced subject-subject relations in his texts gives rise to defensive polarities of gender and of domination and submission.
The Victorian City
From the bestselling popular historian comes a masterly recreation of Victorian London, whose raucous streets and teeming denizens inspired and permeated the works of one of Britain's - and the world's - greatest novelists: Charles Dickens. The nineteenth century was a time of unprecedented transformation, and nowhere was this more apparent than on the streets of London. In only a few decades, London grew from a Regency town to the biggest city the world had ever seen, with more than 6.5 million people and railways, street-lighting and new buildings at every turn. In The Victorian House, Judith Flanders described in intimate detail what went on inside the nineteenth-century home. Now, in The...
