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Judith Tinkl
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Piece by Piece
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A Fine Line
Featuring six decades of outstanding work by Ontarios design-craftspeople in colour and black and white photographs.
Crafting Identity
"By contrasting American experience with the Canadian context, which includes a unique Quebec identity and a Native dimension, Sandra Alfoldy argues that the development of organizations, advanced education for craftspeople, and exhibition and promotional opportunities have contributed to the distinct evolution of professional craft in Canada over the past forty years. Alfoldy focuses on 1964-74 and the debates over distinctions between professional, self-taught, and amateur craftspeople and between one-of-a-kind and traditional craft objects. She deals extensively with key people and events, including American philanthropist Aileen Osborn Webb and Canadian philanthropist Joan Chalmers, the foundation of the World Crafts Council (1964) and the Canadian Crafts Council (1974), the Canadian Fine Crafts exhibition at Expo 67, and the In Praise of Hands exhibition of 1974. Drawing upon a wealth of previously unexploited materials, this richly documented survey includes descriptions and illustrations of significant works and identifies the challenges that lie ahead for professional crafts in Canada."--Pub. desc
The Magical Effects of Color
Joen's second book takes up where the popular Landscapes & Illusions left off, further exploring luminosity, highlights, reflections, and transparency in both traditional and contemporary quilts. She discusses the color wheel, explains various visual effects, and encourages observations of nature. Finally information on pattern drafting and perspective helps quilters create their own designs. Twenty-four pages are devoted to some of the leading quiltmakers of our time.
Surface Design
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Viktor Tinkl
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The Way It Is
The long-awaited biography of one of Canada’s most intriguing and beguiling artists. Do artists really thrive in big cities, or do they just learn to imitate New York? Is it a contradiction for an artist to be fiercely local and profoundly identified with international art movements? If the brilliant colourist and regionalist pioneer Greg Curnoe stood for any one thing, it was making trouble. An intriguing rebel throughout his life, he challenged ideas about what art should be, and pushed it in radical new directions — including away from Toronto, a city he rejected while succeeding masterfully in its galleries. His untimely death in 1992 cut short a career of constant reinvention. This first biography of Curnoe recaptures in vivid detail the public and personal life of an iconoclast who was called a “walking autobiography,” as his work seemed to document his endless struggle against many of the core tenets of the art of his time. An anti-establishment firebrand and a fierce opponent of American dominance in Canadian culture, Curnoe, in his conceptual practice, constructed a stunning body of work that remains a hallmark in late-twentieth-century Canadian art.
Folk Art
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Regeneration
This document discusses the work of the Royal Commission on the future of the Toronto Waterfront. It focuses on planning for sustainability; environmental imperatives regarding water, the shoreline, greenways, and the winter waterfront; and specific places: Halton, Mississauga, Etobicoke, the central waterfront, Scarborough, and Durham.
