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Long Live the Modern
Long Live the Modern celebrates New Zealands heritage of modern architecture. It is not a history of modern architecture in that country. Rather, it identifies 180 key modern buildings that survive and maintain their original design integrity.
Brutalism Resurgent
Brutalism had its origins in béton brut – concrete in the raw – and thus in the post-war work of Le Corbusier. The British architects Alison and Peter Smithson used the term "New Brutalism" from 1953, claiming that if their house in Soho had been built, "it would have been the first exponent of the ‘New Brutalism’ in England". Reyner Banham famously gave the movement a series of characteristics, including the clear expression of a building’s structure and services, and the honest use of materials in their "as-found" condition. The Smithsons and Banham promoted the New Brutalism as ethic rather than aesthetic, privileging truth to structure, materials and services and the gritty re...
Group Architects
This is the first full assessment of the architectural firm Group Architects and it follows their work from the early collective through all its various incarnations until the death of founder Bill Wilson in 1968.
Vertical Living
In 1946 a group of students and idealists got together to realize their visions for a modern city. Over the following half century, the Architectural Centre they founded helped shape the possibilities of modern life in urban New Zealand and profoundly influenced the remaking of the capital city of Wellington. More than just an association of architects, the Centre furthered education, published a magazine—Design Review—hosted modernist exhibitions in its gallery, staged an audacious campaign for political influence called &“the Project,&” and fought for better planning, better design, and better built environments in Wellington. Charting these activists and their projects over the years, Julia Gatley and Paul Walker also offer a history of urban Wellington from the 1940s to the 1990s and beyond. The book reminds us that, in modernist ideology, architecture and urban planning went hand-in-hand with visual and craft arts, graphic and industrial design. In recovering the multidisciplinary history, politics, and planning of the Architectural Centre, Gatley and Walker begin writing the city back into the history of architecture in New Zealand.
Rebuilding the Kāinga
An understanding of the ways of our tūpuna, coupled with the best of new thinking from New Zealand and abroad, has significant potential for sustainable housing models. Colonial settlement and the discriminatory policies of successive governments have challenged Māori connections to whenua and kāinga. Today, home ownership rates for Māori are well below the national average and Māori are over-represented in the statistics of substandard housing. Rebuilding the Kāinga charts the recent resurgence of contemporary papakāinga on whenua Māori. Reframing Māori housing as a Treaty issue, Kake envisions a future where Māori are supported to build businesses and affordable homes on whānau, hapū or Treaty settlement lands. The implications of this approach, Kake writes, are transformative.
Designing Modern Childhoods
In the book architectural historians, social historians, social scientists, and architects examine the history and design of places and objects such as schools, hospitals, playgrounds, houses, cell phones, snowboards, and even the McDonald's Happy Meal.
Fairness and Freedom
Fairness and Freedom compares the history of two open societies--New Zealand and the United States--with much in common. Both have democratic polities, mixed-enterprise economies, individuated societies, pluralist cultures, and a deep concern for human rights and the rule of law. But all of these elements take different forms, because constellations of value are far apart. The dream of living free is America's Polaris; fairness and natural justice are New Zealand's Southern Cross. Fischer asks why these similar countries went different ways. Both were founded by English-speaking colonists, but at different times and with disparate purposes. They lived in the first and second British Empires,...
The Visibility of Modernization in Architecture
This edited collection explores the visibility of modernization in architecture produced in different capitalist regions across the world and provides readers with a historico-theoretical and historico-geographical discussion. Focusing on a particular building type, an influential architect’s work, as well as relevant texts and documents, each chapter addresses the many facets of "delay" which are central to the problematization of capitalism’s progressive dissemination of technological and aesthetic regimes of modernism. This collection underlines the centrality of temporality for a critical understanding of colonialism, modernism, and capitalism. The book is primarily concerned with th...
Cities, Citizens and Environmental Reform
Cities, Citizens and Environmental Reform tells a story of community involvement in the development of Australian town planning from the early 20th century - from the first wave of enthusiasm for modern town planning ideals before the Great War onto the more challenging social and political environment for the original town planning associations in the post-Second World War era. Meticulously researched and peppered with archival illustrations, the book reveals common threads and local differences in community planning movements across the nation and contributes to our understanding of modern urban planning in Australia.
The Modern Landscapes of Ted Smyth
The modern period in landscape architecture is enjoying the fascinated appreciation of scholars and historians in Europe and the Americas, and new themes, new subjects and new appraisals are appearing. This book contributes to the conversation by focusing on the work of a singular designer who spent his entire career in a province of the North Island of New Zealand. Ted Smyth practiced an assured landscape modernism without ever seeing the designs of his forebears or his contemporaries working in the UK, Europe and the United States. Designing in isolation from the mainstream of modernism, and a little after its high tide, Smyth produced a series of gardens that provoke a revaluation of the diffusionist model of influence. The book explains and describes the evolution of Smyth’s design vocabulary and relates it to the development of tropical landscape modernism in other Asia-Pacific sites. It shows how a culture of garden modernism can be generated from within a particular locale, and highlights Smyth’s engagement with Māori design traditions in search of a specific expression of the high modern essentialism of place.
