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World Changer Magazine
World Changer Magazine captures a clear voice from over 40 recognized leaders in every sphere of influence, and provides a comprehensive 'State of the Kingdom' for a global audience. The publication highlights the Kingdom advancements being made towards Great Commission outcomes, and the extraordinary impact being made through effective collaboration and unity. We showcase global leaders in the body of Christ with a proven track record in advancing the Kingdom in their nation.
You're Doing it Wrong!
New mothers face a barrage of confounding decisions during the life-cycle of early motherhood which includes... Should they change their diet or mindset to conceive? Exercise while pregnant? Should they opt for a home birth or head for a hospital? Whatever they “choose,” they will be sure to find plenty of medical expertise from health practitioners to social media “influencers” telling them that they’re making a series of mistakes. As intersectional feminists with two small children each, Bethany L. Johnson and Margaret M. Quinlan draw from their own experiences as well as stories from a range of caretakers throughout. You’re Doing it Wrong! investigates the storied history of m...
Ginny Appleyard
When Ginny Appleyard's childhood sweetheart returns home after his racing season aboard the yacht Aurora, her hopes that he is bringing her an engagement ring are shattered, as Nathan disembarks with Isobel Armitage; the daughter of Aurora's owner. Instead of the hoped-for proposal, Nathan tells Ginny that he is leaving their home town and following Isobel to London, to pursue his dreams of becoming an artist. Already distraught at the tragic death of her father, Ginny is devastated to hear that Nathan and Isobel are to be married and her heartache is compounded when she discovers that she is expecting Nathan's child. Forced by her mother to choose between a loveless marriage of convenience to the rough sailor Will Kesgrave, and the more sinister option of being 'put away', Ginny Appleyard's future is far from certain . . .
Ian McEwan's Atonement
The Continuum Contemporaries series gives readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years. This guide to Atonement features a biography of the author, a full-length analysis of the novel, a summary of the novel's popular and critical reception, a discussion of the recent film adaptation and a great deal more. If you are studying this novel, reading it for your book club, or if you simply want to know more about it, you'll find this guide informative, intelligent, and helpful.
Innocent Flowers
The Edwardian actress, glamorous and privileged, was the sex symbol of her time. Yet her life was a paradox: off stage she could marry, divorce and take lovers with impugnity; on stage she had to play dutiful wives or daughters or 'scarlet women'. Thousands of these spirited women set out to change the conventional roles they played - and to change the world. Some of them were famous - Athene Seyler, Kitty Marion, Elizabeth Robins, Edy Craig, many others unknown. Managing their own companies, they put on hundreds of plays all over the country - many on taboo subjects such as divorce, sex, venereal disease, prostitution - by little known playwrights as well as established dramatists like Shaw, Ibsen, Barrie. They took the establishment theatre by storm; and they made their mark on the political stage too, forming the Actresses' Franchise League and joining the battle for the vote. Innocent Flowers tells the story of these astonishing women (and includes some of their plays). By tracing their lives and loves, Julie Holledge has rediscovered an inspiring period in the history of women and the theatre.
Ivy
The only beautiful thing in Ivy's drab life is her glorious red hair. At a young age, her locks made her the target of Carroty Kate, a 'skinner'. She recruited Ivy to help her coax wealthy children away from their nannies so that she could strip them of their clothes - clothes worth a fortune in the markets of Petticoat Lane. It is years before Ivy escapes and finds her way back to her in-laws. Once there, she finds respite in laudanum. But before she can settle into a stupor and forget the terrible things she has done, Ivy is spotted by a wealthy pre-Raphaelite painter. Oscar Fosdick needs a muse (until now he has had to use his domineering mother as a model, something not conducive to producing his best work, he finds). To him, Ivy is perfect, a stunner. Realising quickly that this painter has more money than sense, Ivy's in-laws order her to sit for him, and to do anything else he demands. But not everyone is happy. Oscar's mother is determined to get rid of Ivy.
