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The Baby on the Fire Escape: Creativity, Motherhood, and the Mind-Baby Problem
An insightful, provocative, and witty exploration of the relationship between motherhood and art—for anyone who is a mother, wants to be, or has ever had one. What does a great artist who is also a mother look like? What does it mean to create, not in “a room of one’s own,” but in a domestic space? In The Baby on the Fire Escape, award-winning biographer Julie Phillips traverses the shifting terrain where motherhood and creativity converge. With fierce empathy, Phillips evokes the intimate and varied struggles of brilliant artists and writers of the twentieth century. Ursula K. Le Guin found productive stability in family life, and Audre Lorde’s queer, polyamorous union allowed her...
Groupwork in Social Care
In this extremely practical guide, Julie Phillips argues that preparation is the most important element in running successful groups, and explores the issues that practitioners should address. She demonstrates how to prepare effectively, drawing on eight extended case studies with a variety of groups ranging from a positive parenting group to an anger management group. She examines the initial decisions that must be made such as determining the size, purpose and goals of a group, and finding an appropriate meeting place. Anti-discriminatory practice, with an emphasis on power, race and gender issues, is highlighted as a fundamental consideration in planning a group. Phillips underpins her recommendations for practice with the theories behind groupwork and includes frameworks for analysing the effectiveness of group programmes. Groupwork in Social Care will be essential reading for students and qualified professionals working in the fields of occupational therapy, youth work, social work, probation and community mental health nursing.
James Tiptree, Jr.
James Tiptree, Jr. burst onto the science fiction scene in the 1970s with a series of hard-edged, provocative short stories. Hailed as a brilliant masculine writer with a deep sympathy for his female characters, he penned such classics as Houston, Houston, Do You Read? and The Women Men Don't See. For years he corresponded with Philip K. Dick, Harlan Ellison, Ursula Le Guin. No one knew his true identity. Then the cover was blown on his alter ego: A sixty-one-year-old woman named Alice Sheldon. As a child, she explored Africa with her mother. Later, made into a debutante, she eloped with one of the guests at the party. She was an artist, a chicken farmer, a World War II intelligence officer, a CIA agent, an experimental psychologist. Devoted to her second husband, she struggled with her feelings for women. In 1987, her suicide shocked friends and fans. The James Tiptree, Jr. Award was created to honor science fiction or fantasy that explores our understanding of gender. This fascinating biography by Julie Phillips, ten years in the making, is based on extensive research, exclusive interviews, and full access to Alice Sheldon's papers.
The Writers' Group Handbook
How to make your writing group work for you. ,
Summary of Julie Phillips's The Baby on the Fire Escape
Please note: This is a companion version & not the original book. Sample Book Insights: #1 The maternal subject is a figure that disrupts or interrupts our notions of subjectivity. Motherhood is an undiscovered country in the literary sense, and we must venture into it lest our experience go unrecorded. #2 The division between mothering and creative work once seemed absolute. But in 1962, the careers of women with children were beginning to flourish. Mothers found ways to do their work, and were recognized for it. #3 The experience of being a mother is subjective, and it is difficult to explain or understand. It is everywhere in practice, but in theory, it seems nowhere. #4 The Freudian view of mothering is that it is the end of growth and achievement for a woman. The ideal situation is one in which the interests of mother and child are identical.
Physical Biology of the Cell
Physical Biology of the Cell is a textbook for a first course in physical biology or biophysics for undergraduate or graduate students. It maps the huge and complex landscape of cell and molecular biology from the distinct perspective of physical biology. As a key organizing principle, the proximity of topics is based on the physical concepts that
Newport in the Great War
Wars affect everyone. Whether they are fought on the battlefields or on the home front, by the armed forces or civilians, sacrifices have to be made, and everyone suffers one way or another. This book gives a flavour of what it was like to live in Newport and the surrounding area during the Great War years. Newport was proud to send its brothers, husbands, uncles and fathers to fight for King and Country, many of whom had never been far from home before, some who came from decorated service backgrounds for whom the armed services was in their blood. Rich or poor, farm worker, office manager or son of a wealthy estate owner, they all united to defend their town and protect British values and ...
Birmingham at War, 1939–45
Barely 17 years after the Great War that had brought Britain to its knees, the country was once again asked to make sacrifices and give their all to the war effort. With its strong industrial background, Birmingham was already geared to help manufacture the vehicles that could be adapted for war use, and with the threat of the German Luftwaffe screaming across the skies, it was only right that the production of planes, most notably the spitfire, was ramped up to help protect the British public.While many of its men and women were involved in the forces abroad, many more stayed behind to defend the city, with inhabitants risking their lives by taking up fire hoses, first aid kits, manning ant...
The Adjacent Possible
A book-length sequence of linked poems, The Adjacent Possible centers on problems of consciousness, inter-subjective relation, theories of emergence, and Buddhist philosophy. These thematic concerns emerge through the dialogic exchange between two abstract figures, as they range across a variety of landscapes and poetic forms, including free verse, hybrid forms, and the traditional Japanese forms of haibun, tanka, and renga. The questions The Adjacent Possible explores are these: How does consciousness emerge into being, and how does one subject, human or otherwise, connect with another? How might poetry--as aural, visual, and elemental matter--catalyze these forms of relation?
