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This book provides an important reference guide to pollen and spore identification for Chinese Quaternary palynological studies. Presenting and describing more than 400 color photomicrographs of pollen grains and spores retrieved from sediments in China, it offers a unique asset for researchers, graduate students, and newcomers to the field of Quaternary palynology, which constitutes a major aspect of Quaternary paleoecology, paleoclimatology, and paleogeography.
In the last two decades, plant biology has developed rapidly, ranging from molecular genetics, cell biology, and physiology to ecology and evolutionary issues, both for economic species and species unrelated to humans. These topics have received intensive attention, however, there is still a large gap in the study of plant biology in prehistoric times, especially those closely related to humans. The identification of plant species in archaeological sites plays an important role in exploring the paleoenvironment, the origin and spread of agriculture, and the relationship between humans and nature. In this research topic, we welcome progress in all aspects of ancient plant fossil research, especially phytoliths, starches, pollen and carbonized seeds, from the mechanisms of plant fossil formation to their phytosystematics, and the associated paleoecology and paleoenvironment.
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This book contains a classic guide to historical study of early modern Chinese fiction from the late Qing Dynasty till early republican China. It does not merely study the new fiction writing in China, which was strongly influenced by the western fiction, but also draws a comparison between classical Chinese fiction and the early modern Chinese fiction. This book is an excellent reference in the study of early modern Chinese literature since it conveys a point of view to the readers with abundant and solid historical materials. At the heart of the book, it is the matter of a specific value in trans-cultural studies between the western world and China.
The Russian influence took root in the Chinese intellectual tradition that evolved after the Literary Revolution of 1917. When the Chinese communists turned to Russia for their inspiration they also accepted the Russian version of the novels form and function in society. However, they did not accept it uncritically. Chinese understanding of the arts goes back for thousands of years and thus Chinese intellectuals brought their own kinds of tradition and intelligence to these new arts and political solutions. In this lucid study, the author demonstrates how Chinese writers, guided by Russian authors such as Chekhov, Turgenev, and Andreyev, created works of art that are both original and Chin...
This book offers a comprehensive introduction to medio-translatology, including its historical and literary setting, its core concept, and its practice and theory. Medio-translatology, inspired by scholarship in comparative literature and the “cultural turn” in Western translation studies, has tackled many issues which previously went unnoticed or were ignored in traditional translation studies in China; it falls within the scope of literary studies and cultural studies, extending beyond the confines of language and treating literary translations and translating as historical facts. Emerging from comparative literature, medio-translatology looks at literary translation from a new and bro...