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In a near-future America on the verge of civil war, a gay detective investigates ritual killings, conspiracies, and what might be black magic. In the summer of 2045, Atlanta is a city on the verge of panic. A killer is stalking her people, leaving behind eerily beautiful crime scenes painted with occult symbols. Is he an insane artist, carving his work out of flesh and blood? A satanic sorcerer, hoping to bring about the end of days? Or a political operative, trying to terrify the electorate into voting for his party? A handful of people have the pieces to the puzzle, but they are scattered through the city’s subcultures: A wisecracking gay detective hunting for his kidnapped partner. A bl...
Piechocki calls for an examination of the idea of Europe as a geographical concept, tracing its development in the 15th and 16th centuries. What is “Europe,” and when did it come to be? In the Renaissance, the term “Europe” circulated widely. But as Katharina N. Piechocki argues in this compelling book, the continent itself was only in the making in the fifteenth and sixteenth centuries. Cartographic Humanism sheds new light on how humanists negotiated and defined Europe’s boundaries at a momentous shift in the continent’s formation: when a new imagining of Europe was driven by the rise of cartography. As Piechocki shows, this tool of geography, philosophy, and philology was used...
Dostoevsky and Tolstoy are the titans of Russian literature. As mature artists, they led very different lives and wrote vastly different works, but their early lives and writings display provocative kinships, while also indicating the divergent paths the two authors would take en route to literary greatness. The ten new critical essays here, written by leading specialists in nineteenth-century, Russian literature, give fresh, sophisticated readings to works from the first decade of the literary life of each Russian author—for Dostoevsky, the 1840s; for Tolstoy, the 1850s. Collectively, these essays yield composite portraits of these two artists as young men finding their literary way. At the same time, they show how the early works merit appreciation for themselves, before their authors were Titans.
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day.The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs a...
Now available in a single volume paperback, this advanced reference resource for the novel and novel theory offers authoritative accounts of the history, terminology, and genre of the novel, in over 140 articles of 500-7,000 words. Entries explore the history and tradition of the novel in different areas of the world; formal elements of the novel (story, plot, character, narrator); technical aspects of the genre (such as realism, narrative structure and style); subgenres, including the bildungsroman and the graphic novel; theoretical problems, such as definitions of the novel; book history; and the novel's relationship to other arts and disciplines. The Encyclopedia is arranged in A-Z format and features entries from an international cast of over 140 scholars, overseen by an advisory board of 37 leading specialists in the field, making this the most authoritative reference resource available on the novel. This essential reference, now available in an easy-to-use, fully indexed single volume paperback, will be a vital addition to the libraries of literature students and scholars everywhere.
The Russian writer Lydia Ginzburg (1902–90) is best known for her Notes from the Leningrad Blockade and for influential critical studies, such as On Psychological Prose, investigating the problem of literary character in French and Russian novels and memoirs. Yet she viewed her most vital work to be the extensive prose fragments, composed for the desk drawer, in which she analyzed herself and other members of the Russian intelligentsia through seven traumatic decades of Soviet history. In this book, the first full-length English-language study of the writer, Emily Van Buskirk presents Ginzburg as a figure of previously unrecognized innovation and importance in the literary landscape of the...
The Spirits and Creatures series takes an in-depth look at spirits and creatures across Eastern Europe. Author Ronesa Aveela grew up in Bulgaria where many of these entities were part of the tales and beliefs her grandmother told to her. This series will look at the origins of these beings, and popular ways people believed you could appease or defeat them. Illustrations, stories, music, and videos add to the details of these fascinating beings. This collection contains the first three books of the series, plus a book of additional dragon tales: *A Study of Household Spirits of Eastern Europe *A Study of Rusalki – Slavic Mermaids of Eastern Europe *A Study of Dragons of Eastern Europe *Dragon Tales from Eastern Europe Although the books have extensive research, they are meant for a non-academic audience.
In Editing Turgenev, Dostoevsky, and Tolstoy, Susanne Fusso examines Mikhail Katkov's literary career without vilification or canonization, focusing on the ways in which his nationalism fueled his drive to create a canon of Russian literature and support its recognition around the world. In each chapter, Fusso considers Katkov's relationship with a major Russian literary figure. In addition to Turgenev, Dostoevsky, and Tolstoy, she explores Katkov's interactions with Vissarion Belinsky, Evgeniia Tur, and the legacy of Aleksandr Pushkin. This groundbreaking study will fascinate scholars, students, and general readers interested in Russian literature and literary history.
This collection of essays seeks to contribute to ongoing efforts to build contemporary theories of image, metaphor, metre, rhythm, and other key concepts of avant-garde and postmodern poetry that define contemporary poetics and critical theory.
“This is a little gem, the best introduction to Tolstoy I have ever encountered, and it is more than that. The most accomplished scholar will find important new insights, the sort that one immediately recognizes as both true and profound. Orwin brings Tolstoy to life as a person and as a writer, and she also shows beautifully how the two are linked. The discussions of Tolstoy's views on psychology and the nature of art are especially illuminating.” —Gary Saul Morson, Lawrence B. Dumas Professor of the Arts and Humanities and Professor of Slavic Languages and Literatures, Northwestern University Count Leo Tolstoy (1828-1910) was born at Yasnaya Polyana, his ancestral estate located abou...