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Justino Cornejo
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Aspects of Doctoral Research at the Maryvale International Catholic Institute (Volume Four)
This collection of extracts from students who successfully defended their doctoral thesis highlights the breadth of research in Catholic Studies. The fourth book in a series of volumes, it shines new light on age old issues and, in many ways, offers solutions to and opportunities for dialogue with the contemporary world. These essays, from the students of Maryvale International Catholic Institute, with doctorates accredited by Liverpool Hope University, truly reflect the philosophy underpinning academic life at Maryvale, that of St. John Henry Newman. In essence, his vision for education involves an extension of knowledge, a cultivation of reason, an insight into the “relation of truth to truth”, learning to view things as they are and understanding “how faith and reason stand to each other”. These students have achieved that. This volume presents work covering the areas of moral theology, ethics, bioethics, textual analysis, theology, philosophy, history and literature, crossing in places, into the territory of pastoral theology, evangelisation and catechesis.
The Invention of Latin American Music
"This book reconstructs the transnational history of the category "Latin American music" during the first half of the 20th century, from a longer perspective that begins in the 19th century and extends the narrative until the present. It analyzes intellectual, commercial, state, musicological and diplomatic actors that created and elaborated this category. It shows music as a key field for the dissemination of a cultural idea of Latin America in the 1930s. It studies multiple music-related actors, such as intellectuals, musicologists, policy-makers, popular artists, radio operators, and diplomats in Argentina, Mexico, Brazil, the United States, and different parts of Europe. It proposes a regionalist approach to Latin American and global history, by showing individual nations as both agents and result of transnational forces-imperial, economic, and ideological. It argues that Latin America is the sedimentation of over two centuries of regionalist projects, and studies the place of music regionalism in that history"--
