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“não habitar a escola como meros espectadores, mas como ativos inquiridores, atuantes na sua construção cotidiana” (GALLO, MENDONÇA, 2020, p.15) As palavras escolhidas como epígrafe desta apresentação materializam o convite que desejamos fazer aos leitores deste livro. Enquanto pesquisadores, professores e estudantes não podemos agir como meros espectadores que apenas habitam o espaço da escola. Tal postura faria de nós apenas reprodutores de práticas historicamente enraizadas e naturalizadas no e pelo cotidiano escolar. No lugar disso, assumimos a postura de inquiridores da escola, porém não no sentido de julgadores do que se passa e do que se faz na escola. Tomar o lugar de ativos inquiridores da escola significa interrogar-se constantemente sobre as suas práticas, seus saberes, suas verdades e seus modos de ser no espaço/tempo contemporâneo. É esse o exercício que tentamos fazer neste livro e que convidamos os leitores a partilhar conosco. Um exercício que não parta da “escola em sua generalidade, mas se ocupe sempre de uma escola que pulsa, vive e ressoa em todos os seus habitantes” (GALLO, MENDONÇA, 2020, p. 14).
Novelist, poet, playwright, and short story writer Joaquim Maria Machado de Assis (1839–1908) is widely regarded as Brazil's greatest writer, although his work is still too little read outside his native country. In this first comprehensive English-language examination of Machado since Helen Caldwell's seminal 1970 study, K. David Jackson reveals Machado de Assis as an important world author, one of the inventors of literary modernism whose writings profoundly influenced some of the most celebrated authors of the twentieth century, including José Saramago, Carlos Fuentes, and Donald Barthelme. Jackson introduces a hitherto unknown Machado de Assis to readers, illuminating the remarkable life, work, and legacy of the genius whom Susan Sontag called “the greatest writer ever produced in Latin America” and whom Allen Ginsberg hailed as “another Kafka.” Philip Roth has said of him that “like Beckett, he is ironic about suffering.” And Harold Bloom has remarked of Machado that “he's funny as hell.”
1001 Children's Books You Must Read Before You Grow Up is the perfect introduction to the very best books of childhood: those books that have a special place in the heart of every reader. It introduces a wonderfully rich world of literature to parents and their children, offering both new titles and much-loved classics that many generations have read and enjoyed. From wordless picture books and books introducing the first words and sounds of the alphabet through to hard-hitting and edgy teenage fiction, the titles featured in this book reflect the wealth of reading opportunities for children.Browsing the titles in 1001 Children's Books You Must Read Before You Grow Up will take you on a journey of discovery into fantasy, adventure, history, contermporary life, and much more. These books will enable you to travel to some of the most famous imaginary worlds such as Narnia, Middle Earth, and Hogwart's School. And the route taken may be pretty strange, too. You may fall down a rabbit hole, as Alice does on her way to Wonderland, or go through the back of a wardrobe to reach the snowy wastes of Narnia.
The #1 New York Times bestselling author of Ghost Story—and the master of American horror—tells the terrifying story of a woman who, in her desperation to flee the past, encounters an inexplicable aura of evil. Julia’s first purchase upon leaving her husband is a large, old-fashioned house in Kensington, where she plans to live by herself, well away from her soon-to-be-ex and the home where their young daughter died. She feels a peculiar affinity for the house right away, a feeling that deepens with each glimpse of a mysterious little girl—blond, like her daughter—in the neighborhood, and even in her dreams But the little girl and the big house have an inexplicable aura of evil. And Julia quickly discovers that escaping her past is not as simple as turning a key.