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This book is an interdisciplinary comparative investigation of activist, artistic, literary, and academic discourse—expressive work promoting ecological justice, ending racism, and representing self and community through virtual realism—a cultural poetics of environmental justice. Research fixed on women’s work intervenes in patriarchal assumptions. Focus on marginalized areas in India and a U.S. movement led by people of color, defies racisms, and promotes vigilance against structural violence that permeates across political spectrums. Striving for environmental justice is not just community work, merely academic, or trendy art, performance, or literature. Environmental justice work demands interdisciplinary, transnational, transcommunity sharing, many border crossings and solid alliance-building. Chicanas and women in India engaged in such activities generate a rich cultural poetics—a transformative vision of environmental equity, ecological and civic wellbeing, and calming climate.
This book is an interdisciplinary comparative investigation of activist, artistic, literary, and academic discourse—expressive work promoting ecological justice, ending racism, and representing self and community through virtual realism—a cultural poetics of environmental justice. Research fixed on women’s work intervenes in patriarchal assumptions. Focus on marginalized areas in India and a U.S. movement led by people of color, defies racisms, and promotes vigilance against structural violence that permeates across political spectrums. Striving for environmental justice is not just community work, merely academic, or trendy art, performance, or literature. Environmental justice work demands interdisciplinary, transnational, transcommunity sharing, many border crossings and solid alliance-building. Chicanas and women in India engaged in such activities generate a rich cultural poetics—a transformative vision of environmental equity, ecological and civic wellbeing, and calming climate.
The impulse for the recent transformations in the Arab world came from the Maghreb. Research on the region has been on the rise since, yet much remains to be done when it comes to interdisciplinary comparative research. The Maghreb is a heterogeneous region that deserves thorough investigation. This volume focuses on Entanglements as a cross-field and cross-lingual concept to generate a new approach to the region and its inner interdependencies as well as exchanges with other regions. Eminent researchers conceptualize Entanglements through the description of various thematic fields and actors in motion, addressing culture, politics, social affairs, and economics.
This collection brings together experts from media and communication studies with postcolonial studies scholars to illustrate how the two fields may challenge and enrich each other. It encompasses essays on topics including media convergence, transcultural subjectivity, hegemony, piracy, and media history and colonialism. Drawing on examples from film, literature, music, TV, and the internet, the contributors investigate the transnational dimensions of today's media, engage with local and global media politics, and discuss media outlets as economic agents, thus illustrating mechanisms of power in postcolonial and neo-colonial mediascapes.
Although the era of European colonialism has long passed, misgivings about the inequality of the encounters between European and non-European languages persist in many parts of the postcolonial world. This unfinished state of affairs, this lingering historical experience of being caught among unequal languages, is the subject of Rey Chow's book. A diverse group of personae, never before assembled in a similar manner, make their appearances in the various chapters: the young mulatto happening upon a photograph about skin color in a popular magazine; the man from Martinique hearing himself named "Negro" in public in France; call center agents in India trained to Americanize their accents while...
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About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
A previously untranslated classic of Portuguese feminist literature originally published in 1978, Carvalho's Empty Wardrobes introduces English-speaking readers to a forgotten and underappreciated woman writer a la recent publishing sensations Lucia Berlin, Natalia Ginzburg, Ingeborg Bachmann, Silvina Ocampo, and Armonia Somers. Empty Wardrobes is a tightly plotted, highly entertaining read, that, thanks to an ingenious detached narrative technique (one that makes the plot all the more fun to revisit and rethink), is both darkly humorous and devastatingly true.