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Mama Lola
Karen McCarthy Brown's classic book shatters stereotypes of Vodou by offering an intimate portrait of African-based religion in everyday life. She explores the importance of women's religious practices along with related themes of family and of social change. Weaving several of her own voices--analytic, descriptive, and personal--with the voices of her subjects in alternate chapters of traditional ethnography and ethnographic fiction, Brown presents herself as a character in Mama Lola's world and allows the reader to evaluate her interactions there. Startlingly original, Brown's work endures as an important experiment in ethnography as a social art form rooted in human relationships. A new preface, epilogue, bibliography, and a collection of family photographs tell the story of the effect of the book's publication on Mama Lola's life.
Mama Lola
Vodou is among the most misunderstood and maligned of the world's religions. "Mama Lola" shatters the stereotypes by offering an intimate portrait of Vodou in everyday life. Drawing on a decade-long friendship with Mama Lola, a Vodou priestess, Brown tells tales spanning five generations of Vodou healers in Mama Lola's family. 46 illustrations.
Brown, Karen McCarthy
Karen McCarthy Brown (1942-2015) was one of the most influential scholars of the popular religion of Hait known as Vodou. Brown produced a remarkable body of research and scholarship on Vodou from the 1970s through the beginning of the 21st century, but she is primarily esteemed for her groundbreaking 1991 book Mama Lola, A Vodou Priestess in Brooklyn, which was published by the University of California Press and reissued in 2001 and 2011. This entry traces the development of Brown's structuralist methodology from her immersion in graduate school in new structuralist theory, through her integration of complementary approaches including gender, to her pioneering monograph, which broke new ground in the anthropology of religion, the study of Vodou, and in the genre of ethnographic writing. The ...
Mama Lola
Deeply exploring the role of women in religious practices and the related themes of family and of religion and social change, Brown provides a rich context in which to understand the authority that urban Haitian women exercise in the home and in the Vodou temple.
Tracing the Spirit
This catalog is published in conjunction with a touring exhibition titled "Masterworks in Haitian Art from the Collection of the Davenport Museum of Art," February 1995-March 1997. Beginning with a donation of 19 paintings 28 years ago, The Davenport Museum has developed one of the most comprehensive collections of Haitian art in the US. The catalog comprises several essays, interview with contemporary Haitian artists and artist-survivors of the 1991 coup d'Etat, full discussion and color reproductions of highlights from the collection, and brief description of works in the exhibition. Annotation copyright by Book News, Inc., Portland, OR
Vodou in Haitian Life and Culture
This collection introduces readers to the history and practice of the Vodou religion, and corrects many misconceptions. The book focuses specifically on the role Vodou plays in Haiti, where it has its strongest following, examining its influence on spiritual beliefs, cultural practices, national identity, popular culture, writing and art.
The Reaper’s Garden
Winner of the Merle Curti Award Winner of the James A. Rawley Prize Winner of the Louis Gottschalk Prize Longlisted for the Cundill Prize “Vincent Brown makes the dead talk. With his deep learning and powerful historical imagination, he calls upon the departed to explain the living. The Reaper’s Garden stretches the historical canvas and forces readers to think afresh. It is a major contribution to the history of Atlantic slavery.”—Ira Berlin From the author of Tacky’s Revolt, a landmark study of life and death in colonial Jamaica at the zenith of the British slave empire. What did people make of death in the world of Atlantic slavery? In The Reaper’s Garden, Vincent Brown asks t...
Passing
Ten contributions from academics in a variety of disciplines consider the social phenomenon of "passing." The focus is on the construction of identity and its relationship to visibility. Topics include, for example, Jews passing as Christians and the politics of race; "slumming" and class analysis; and 20th century male impersonators and women's suffrage. The volume is not indexed. c. Book News Inc.
Personal Knowledge and Beyond
Personal Knowledge and Beyond" seeks to foster a cross-disciplinary rethinking of ethnography's possibilities and limits for the study of religions. It provides an overview of recent debates while also pushing them in new directions
The Insider/Outsider Problem in the Study of Religion
Thirty classic and contemporary readings - from such writers as Kant, Hume, Schleiermacher, and Otto, to Ninian Smart, Mircea Eliade, Karen McCarthy-Brown, and Wendy Doniger.
