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The Dangerous Man
A collection of controversial research and alternative worldviews, presenting new and exciting ways of thinking about life as we know it.
A Road Trip with a Psychic
Every one of us has the magic within to create miracles in our lives. My magic comes, in part, from my psychic abilities. I've been described as an intuitive, a spiritual channel, a clairvoyant, an empath, and a psychic. For many years, I 'read' people, giving them the answers to their questions. Now, in this book, you will come on an incredible adventure with me as I show you how to source your inner wisdom and find your own answers. I will show you how to identify your natural abilities, trust in your innate intuition, and use it to live a more positive, happier, healthier, and more joyful life! Knowing the process is exciting; living it and benefiting from it is a priceless gift which will amaze you each and every day.
Shakespeare and the Middle Ages
Shakespeare and the Middle Ages brings together a distinguished, multidisciplinary group of scholars to rethink the medieval origins of modernity. Shakespeare provides them with the perfect focus, since his works turn back to the Middle Ages as decisively as they anticipate the modern world: almost all of the histories depict events during the Hundred Years War, and King John glances even further back to the thirteenth-century Angevins; several of the comedies, tragedies, and romances rest on medieval sources; and there are important medieval antecedents for some of the poetic modes in which he worked as well. Several of the essays reread Shakespeare by recovering aspects of his works that a...
The Cambridge Companion to Shakespeare's Last Plays
In this book, leading international Shakespeare scholars consider the significant characteristics of Shakespeare's last plays and place them in their Jacobean context.
Drama and Religion in English Provincial Society, 1485-1660
This book examines theatre and religion in provincial England from the early Tudors to 1660.
Inner Theatres of Good and Evil
Among the most intriguing questions of neurology is how conceptions of good and evil arise in the human brain. In a world where we encounter god-like forces in nature, and try to transcend them, the development of a neural network dramatizing good against evil seems inevitable. This critical book explores the cosmic dimensions of the brain's inner theatre as revealed by neurology, cognitive science, evolutionary psychology, psychoanalysis, primatology and exemplary Western performances. In theatre, film, and television, supernatural figures express the brain's anatomical features as humans transform their natural environment into cosmic and theological spaces in order to grapple with their vulnerability in the world.
Magical Transformations on the Early Modern English Stage
Magical Transformations on the Early Modern Stage furthers the debate about the cultural work performed by representations of magic on the early modern English stage. It considers the ways in which performances of magic reflect and feed into a sense of national identity, both in the form of magic contests and in its recurrent linkage to national defence; the extent to which magic can trope other concerns, and what these might be; and how magic is staged and what the representational strategies and techniques might mean. The essays range widely over both canonical plays-Macbeth, The Tempest, The Winter’s Tale, The Merry Wives of Windsor, Doctor Faustus, Bartholomew Fair-and notably less can...
Shakespeare Survey: Volume 63, Shakespeare's English Histories and Their Afterlives
The theme for Shakespeare Survey 63 is 'Shakespeare's English Histories and their Afterlives'.
Religion and Drama in Early Modern England
Reassessing the relationship between religion and drama in early modern England, this collection explores the commercial theater's reframing of religious culture. Essays foreground the material conditions of performance, the resonances between theatrical and religious rituals, and the multiple valences of religious allusions on the stage. Discussions of both Shakespearean and non-Shakespearean drama reveal the theater's broad interpretation of Christian practice, as well as its engagement with Islam, Judaism and paganism.
