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Good-bye to the Mermaids conveys the horrors of war as seen through the innocent eyes of a child. It is the story of World War II as it affected three generations of middle-class German women: Karin, six years old when the war began, who was taken in by Hitler's lies; her mother, Astrid, a rebellious artist who occasionally spoke out against the Nazis; and her grandmother Oma, a generous and strong-willed woman who, having spent her own childhood in America, brought a different perspective to the events of the time. It tells of a convoluted world where children were torn between fear and hope, between total incomprehension of events and the need to simply deal with reality. In one of the rel...
“It all began with the bite of a mosquito. Yes, with a bite of this pesky, but seemingly so innocuous little insect that had been sucking her blood. Not just one, but hundreds had punctured her arms and legs with red marks which later swelled to small welts. Who would ever have thought that our family's life would become derailed, that its tightly woven fabric would eventually fray and break—all from the bite of a mosquito?” In November of 1970, the Finell family’s lives were changed forever by a family vacation to Acapulco. Seven-year-old Stephanie fell ill soon after their return to the United States, but her mother, Karin, thinking it was an intestinal disorder, kept her home from...
When former Sunset Magazine trade publications editor Judy Thompson Hay married chef-trained Bob Pochini and started collaborating with him on four-star quality dinner parties for their family and friends, she realized she had a story on her hands. As a scion of a venerated tradition of restauranteurs, Bob not only could prepare the noteworthy cuisine offered at Pochini's Restaurant for 37 years, he could fuse the concepts of "old-country" Italian dishes with the cutting-edge cuisine and ingredients available in San Francisco, Northern California's gourmet capitol. Early on, Judy started recording the menus of special occasion luncheons and dinners to which she and Bob treated their guests. ...
Discusses the hardships West Berlin residents faced during a period in which Western Allies (United States, United Kingdom, France) attempted to deliver aid to a city devastated by war and political turmoil. The success of the airlift kept Berlin free from total Soviet occupation until the eventual reunification of Germany. Features include journal entries, letters, and personal interviews.
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Thousands of Frenchmen volunteered to provide military help to the Nazis during World War II, fighting in such places as Belorussia, Galicia, Pomerania, and Berlin. Utilizing these soldiers' memoirs, The French Who Fought for Hitler examines how these volunteers describe their exploits on the battlefield, their relations to civilian populations in occupied territories, and their sexual prowess. It also discusses how the volunteers account for their controversial decisions to enlist, to fight to the end, and finally to testify. Coining the concepts of 'outcast memory' and 'unlikeable vanquished', Philippe Carrard characterizes the type of bitter, unrepentant memory at work in the volunteers' recollections and situates it on the map of France's collective memory. In the process, he contributes to the ongoing conversation about memory, asking whether all testimonies are fit to be given and preserved, and how we should deal with life narratives that uphold positions now viewed as unacceptable.
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Berlin was the nerve-centre of Hitler's Germany - the backdrop for the most lavish ceremonies, it was also the venue for Albert Speer's plans to forge a new 'world metropolis' and the scene of the final climactic bid to defeat Nazism. Yet while our understanding of the Holocaust is well developed, we know little about everyday life in Nazi Germany. In this vivid and important study Roger Moorhouse portrays the German experience of the Second World War, not through an examination of grand politics, but from the viewpoint of the capital's streets and homes.He gives a flavour of life in the capital, raises issues of consent and dissent, morality and authority and, above all, charts the violent humbling of a once-proud metropolis. Shortlisted for the Hessell-Tiltman History Prize.