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Kafka and Kabbalah
In one of Kafka's most famous stories, Josephine the Singer plays the role of the rebbe, or tzaddik: the person who takes on the role of theurgist (or intercessor) for the community.
Jewish Music and Modernity
Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
Intertextuality in the Tales of Rabbi Nahman of Bratslav
This book - the first scholarly work on all thirteen tales in Rabbi Nahman of Bratslav's "Sippurey Ma'asiyot" - draws upon the concept of "intertextuality" to explain how Nahman defines his theology of redemption and encourages an appropriation of his religious world-view.
From Something to Nothing
Jewish mysticism approaches God as no-thing or nothing, reflecting Judaism’s traditional identification of God as incorporeal. Whereas technical philosophical language often employed to discuss Jewish mysticism has a tendency to ward off otherwise interested readers, this study sufficiently breaks down the technical language of Jewish mysticism in its various expressions to allow a beginner to benefit from what may otherwise be indescribable and only approached by consideration of what is not rather than what is. Integral to the title, From Something to Nothing, is the concept that God cannot be something, because that would be restricting, so God is simply no-thing. Ironically, the conven...
Lambent Traces
On the night of September 22, 1912, Franz Kafka wrote his story "The Judgment," which came out of him "like a regular birth." This act of creation struck him as an unmistakable sign of his literary destiny. Thereafter, the search of many of his characters for the Law, for a home, for artistic fulfillment can be understood as a figure for Kafka's own search to reproduce the ecstasy of a single night. In Lambent Traces: Franz Kafka, the preeminent American critic and translator of Franz Kafka traces the implications of Kafka's literary breakthrough. Kafka's first concern was not his responsibility to his culture but to his fate as literature, which he pursued by exploring "the limits of the hu...
Kafka and Cultural Zionism
Publisher description
Geographical turn
PaRDeS. Zeitschrift der Vereinigung für Jüdische Studien e.V., möchte die fruchtbare und facettenreiche Kultur des Judentums sowie seine Berührungspunkte zur Umwelt in den unterschiedlichen Bereichen dokumentieren. Daneben dient die Zeitschrift als Forum zur Positionierung der Fächer Jüdische Studien und Judaistik innerhalb des wissenschaftlichen Diskurses sowie zur Diskussion ihrer historischen und gesellschaftlichen Verantwortung.
Theology within the Bounds of Language
In this wide-ranging work, Garth L. Hallett offers a guided tour through fundamental issues regarding the use of language in theology. His preliminary discussions—on language and thought, language and truth, the authority of language, making sense, the relationship between sense and possibility—prepare linguistic reflection on such topics as inference and argument, universal factual and moral claims, defining and saying what things are, verbal versus nonverbal agreement and disagreement, interfaith dialogue, theological language, and metaphor. Hallett employs a wealth of distinctly Christian examples in these considerations, including love, faith, God, religion, the Eucharist, the afterlife, divine law, evil, the Incarnation, the Trinity, the holy, and many others. In the course of this fascinating exploration, readers should learn to find their way more surely in a vast, complex terrain, and mystery will emerge both diminished and deepened. In addition, at the end of each chapter Hallett provides a series of intriguing quotations that invite further reflection.
"Sefer Hasidim" and the Ashkenazic Book in Medieval Europe
In "Sefer Hasidim" and the Ashkenazic Book in Medieval Europe, Ivan G. Marcus proposes a new paradigm for understanding how Sefer Hasidim, or "Book of the Pietists," was composed and how it extended an earlier Byzantine rabbinic tradition of authorship into medieval European Jewish culture.
