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Poems About Something & Nothing
Karl Kempton, visual poet master and connoisseur, presents his latest creations on life, love, and spirit in face of troubled times. The key to great mysteries awaits the bearer of this book.
Rune
'A casual glance at Karl Kempton's typoglyphs reveals several important characteristics. They are carefully designed and impeccably rendered. They suggest virtuoso command of a typewriter. They tend to be elegant, graceful, and symmetrical. Nonetheless, they sometimes produce kinetic effects such as figure/ground reversal or changes in perspective or other suggestions of depth that give them a lively, vibrant quality. They are sometimes based in visual pun, paradox, and example. Some are humorous or satirical. Some use words; many do not. Many could be understood by people who don't read English, or could be understood by them with the gloss of a word or two. Many suggest archetypes, but, at the same time, most call forth all sorts of associations from the viewer's subconscious that are highly individualized.' (from the introduction by Karl Young)
Selected Lexical & Visual Mathematical Poetry 1976-2022
Selected lexical & visual mathematical poetry 1976-2022 from Karl Kempton.
Bruce Andrews and Charles Bernstein's L=a=N=G=U=a=G=e
In February 1978, the L=A=N=G=U=A=G=E newsletter, founded and edited by Charles Bernstein and Bruce Andrews, established the first public venue for the thriving correspondence of an emerging set of ambitious young poets. It circulated fresh perspectives on writing, politics, and the arts. Instead of poems, it published short essays and book reviews on the model of the private letter. It also featured extensive bibliographies and excerpts of cultural, social, and political theory. Bruce Andrews and Charles Bernstein's L=A=N=G=U=A=G=E: The Complete Facsimile makes available in print all twelve of the newsletter's original issues along with three supplementary issues.
Western LNG Project
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Sparrow on the Prophet's Tomb / Poems
Of the three books collected here, the first is celebratory of Islam's eschatology (next-world doctrine), the second an homage to the Prophet Muhammad, peace and blessings of Allah be upon him, and the third written on an 'Umra in 1995/96 to Mecca and Medina... These are all poems of my root work, going down into the loam of study, practice and fidelity to the ideas and often the terminology of Islamic and Sufic thought, while my poetic development since these book incorporates more imaginally leaping imagery and unhesitantly associational language, to more openly circumscribe both the tone and experience of a modern American but cosmopolitan Muslim/Sufi in our very promising but rambunctiously tumultuous times.
The Last Vispo Anthology
This book collects experimental “visual poetry.” With The Last Vispo Anthology, Fantagraphics spotlights the intersection of art and language in this innovative new collection ― without peer in English ― that gathers the work of visual poets from around the world into one stunning volume. The alphabet is turned on its head and inside-out and the results culminate in a compilation of daring and surprising verbo-visual gems. The Last Vispo is composed of visual poetry (a portmanteau of the words “visual” and “poetry) from the years 1998 to 2008, during a burst of creative activity fueled by file sharing and e-mail, which made it possible for the vispo community to establish a mor...
