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Zwischenfälle
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Karl Schlamminger
Karl Schlamminger (geb. 1935) ist ein international renommierter Künstler, der sich unter Verwendung verschiedenster Werkstoffe vor allem mit aus der Geometrie abgeleiteten Formen auseinandergesetzt hat. Im vorliegenden Band beschäftigt sich Schlamminger mit Katalogen von Kunstauktionen, die inzwischen abgelaufen sind. Diese haben ihren ursprünglichen Zweck erfüllt und sind nicht mehr wichtig für die Öffentlichkeit. Und genau an diesem Punkt werden sie interessant für den Künstler. Bestimmte Bilder verführen ihn zu einer Umwandlung. Mit Pinsel und Tusche mischt sich Schlamminger ein, findet ungeahnte Spielräume. So entstehen neue Kunstwerke, die auf den zweiten Blick einen ganz besonderen Reiz entfalten. Ausstellung: Freudenhaus, München, 12.11.2010-8.1.2011.
Kunstwerkstatt Karl Schlamminger
Wenn Karl Schlamminger keine seiner grandiosen Skulpturen wie den Pendelobelisk in Berlin plant und realisiert, wenn er sich nicht mit Architektur oder Kalligrafie beschäftigt, dann geht er einer anderen Leidenschaft nach: Malen und Zeichnen. Hier gibt er Spontaneität und Zufall grenzenlosen Spielraum. Kleckse auf einer Pappe werden als Figuren lebendig, ein Hund, ein Kamel, eine Katze. Und Papier-Knitter oder Reibespuren erweisen sich als Ausgangspunkte für Ausflüge in die bildmächtige Fantasie des Künstlers.
Karl Schlamminger
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The Politics of Architectural Pedagogy in Iran
The Politics of Architectural Pedagogy in Iran explores the evolution of architectural pedagogy during two significant socio-political upheavals in Iran: The White Revolution (1963) and the Islamic Revolution (1979). It examines how these transformative periods influenced the field, providing valuable insights into the intersection of architectural education and broader socio-political shifts in Iran. By examining the critical role of education in achieving geopolitical objectives during the Cold War, this book explores architectural pedagogy as an agent for resistance and revolution. It highlights how architectural pedagogy not only reflects radical ideologies but also actively engages in s...
The Terror of God
How can suffering and injustice be reconciled with the idea that God is good, that he loves humans and is merciful to them? Job's question runs through the history of the three monotheistic religions. Time and again, philosophers, theologians, poets, prophets and laypersons have questioned their image of God in the light of a reality full of hardship. Some see suffering as proof of God's existence, others as a demonstration that there can be no God, while others still respond by rebelling against Him. In this remarkable book Navid Kermani - a distinguished Islamic scholar of Iranian origin - sees this revolt against God as the central motif of one of the great but neglected works of literature: The Book of Suffering by the thirteenth-century Persian poet Faridoddin Attar. Through the prism of Attar's text Kermani tells the story of a religious faith that knows God but is angry with Him: a counter-theology that runs through many religions and connects Judaism, Islam and modernity. With astonishing range and stylistic brilliance Kermani brings Attar to life as one of us, enabling the great Persian poet to speak directly to us today despite the time that separates us.
If Walls Could Speak
Over more than five decades, legendary architect Moshe Safdie has built some of the world's most influential and memorable structures - from the 1967 modular housing scheme in Montreal known as Habitat to the Marina Bay Sands development in Singapore. For Safdie, the way a space functions is fundamental; he is deeply committed to architecture as a social force for good, believing that any challenge, including extreme population density and environmental distress, can be addressed with solutions that enhance community and uplift the human spirit. If Walls Could Speak takes readers behind the veil of an essential yet mysterious profession to explain through Safdie's own experiences how an arch...
Talking God in Society
Peter Lampe's work has covered a wide range of fields, the common denominator being his interest in contextualizing belief systems. Mirroring his multifaced work, the authors pursue his interest from different interdisciplinary angles, addressing the interdependence between religious expressions and their situations or contexts. The application of theoretical models to texts examples flanks the inspiring theoretical – epistemological and methodological – reflections. Studies in socio-economic and political history adjoin archaeological, epigraphic, papyrological and iconographic investigations. (Social-)psychological interpretations of texts complement rhetorical analyses. The hermeneutical reception of biblical materials in, for example, the Koran and Christian Chinese or Orthodox contexts, as well as in religious education and homiletics, rounds off the volumes.
Alter ego
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