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This study explores the representation of international migration on screen and how it has gained prominence and salience in European filmmaking over the past 100 years. Using Polish migration as a key example due to its long-standing cultural resonance across the continent, this book moves beyond a director-oriented approach and beyond the dominant focus on postcolonial migrant cinemas. It succeeds in being both transnational and longitudinal by including a diverse corpus of more than 150 films from some twenty different countries, of which Roman Polański’s The Tenant, Jean-Luc Godard’s Passion and Krzysztof Kieślowski’s Trois couleurs: Blanc are the best-known examples. Engaging wi...
"Re:Location 1-7/Shake' has, among other things, shown the work of more than 110 artists from 24 countries, held 21 exhibitions over a 3-year period, taken place in 8 art centres in 8 countries in Europe and beyond, worked with 10 curators, produced 3 newsletters, published 2 catalogues, built 1 website, commissioned more than 30 essays by 23 authors, some translated into 6 languages by a team of 17 translators, produced 1 televised evening broadcast on 2 TV channels."--[Vol. 2], p. 9.
Domestic life, domestic interiors.
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This volume studies elements of Austro-Hungarian or Central European culture that were common across linguistic, national, and ethnic communities, and shows how some of these commonalities survived or were transformed by the turmoil of the 20th century: two world wars, a major depression between the wars, Stalinism and the Iron Curtain
In this volume, seventeen scholars from Estonia, Hungary, Lithuania, Poland, and Slovakia present their research on the formation and transformation of national literary canons as a practice of nation-building in Central Europe and the Baltics.The articles focus on the shaping of national identities through literature and analyze the establishment of literary canons by means of language, the role of national poets, and similar topics. Case studies of so-called minor literatures reveal common tendencies in the structure of many national canons, as well as specific responses and creative decisions in nation-building processes. This volume rethinks the relations between literature and nationalism (from the 19th century to present times) and contributes to the field of studies of historical development of nationalism. Contributors are: Olga Bartosiewicz-Nikolaev, Renata Beličová, Ramunė Bleizgienė, Paweł Bukowiec, Anna R. Burzyńska, Judit Dobry, Gergely Fórizs, Katre Kikas, Aistė Kučinskienė, Helena Markowska-Fulara, Radosław Okulicz-Kozaryn, Jurga Sadauskienė, Vaidas Šeferis, Viktorija Šeina, Brigita Speičytė, Jagoda Wierzejska, and Krystyna Zabawa.