You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book provides an overview of Irish gender history from the end of the Great Famine in 1852 until the foundation of the Irish Free State in 1922. It builds on the work that scholars of women’s history pioneered and brings together internationally regarded experts to offer a synthesis of the current historiography and existing debates within the field. The authors place emphasis on highlighting new and exciting sources, methodologies, and suggested areas for future research. They address a variety of critical themes such as the family, reproduction and sexuality, the medical and prison systems, masculinities and femininities, institutions, charity, the missions, migration, ‘elite wome...
A unique look into the minds and creative processes of contemporary Irish women poets, this book focuses on the transformation of their life experiences into poetry that blends personal identity with national identiry. It assembles many voices around common themes that are emerging to change Irish poetry permanently. Patricia Boyle Haberstroh, whose book Women Creating Women: Contemporary Irish Women Poets was a Choice Outstanding Academic book in 1996, shows in this new work how nine of the most prolific Irish women writers generate their poetry, broadening our understanding of the context of the poems. She pairs each author's verse with a companion (and often autobiographical) prose piece ...
By merging scholarly writing with personal life stories, Women Writing Women creates a new setting for communicating the unique experiences of women. The interdisciplinary nature of this volume, incorporating authors' ideas on identity, gender, and social realities, illuminates a rich diversity of experiences. To give voice to the different realities women live in and write from, the editors have divided the anthology into four sections: writing about the self; writing about the family and other intimate relationships; writing about the women they study; and writing about women from sources such as diaries and letters. Within this framework women touch on subjects such as ethnicity, sexuality, motherhood, and feminist versus traditional values. The result is a collection of essays that pays tribute to women?s complex realities and to their critical creativity in writing about those realities.
This volume studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind (Caruth 1996, 3) and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women’s issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow.
This joint collection, Belongings, is an absolute joy to read and represents some of Kate Newmann and Joan Newmann's finest work. . . . It is very evident that the poetry is written by two quite separate and individual poets with very different interests and modes of expression, and yet, there is a relationship between the two that, though difficult to pinpoint, remains remarkably complementary.
Originally published: London: Headline Review, 2010.
The poet and playwright Francis Harvey, born in Enniskillen, County Fermanagh, Northern Ireland, has spent most of his life in County Donegal, where he has published an extraordinary range of poetry and served as a mentor for many other poets. This book serves as a tribute to him and his literary achievement. His admirers from Ireland and around the world have collaborated in a collection that includes paintings and photographs of the Donegal landscape about which he writes so movingly, personal essays and poems celebrating his poetry, and critical essays that explore Harvey’s major themes in greater depth. Although Harvey’s poems have received critical acclaim – his poem, ‘Heron’ won the 1989 Guardian and World Wildlife Fund Poetry Competition; he was the recipient of the Peterloo Poets Prize; and went on to be elected to the prestigious affiliation of Irish artists, Aosdána – this is the long overdue first book-length critical study of his work.
Middle-Class Life in Victorian Belfast vividly reconstructs the social world of upper middle-class Belfast from c.1830 to 1890. Using extensive primary material, the book draws a rich portrait of Belfast's middle-class society, covering themes of civic activism, working lives, philanthropy, associational culture, evangelicalism, recreation, marriage and family life.
In earlier medical systems, long communication with the patient and his family were in practice. The Vedic books also show that poetic communication is a way to understand the cause of disease. In modern times medical treatment is heavily dependent on machines to diagnose a disease. Even though it takes care of the clinical part of the treatment it overlooks the psychological aspect of a patient. Often it fails. This is why we need a support system in the healing process to make it more holistic. Poetry Therapy can be one among many.
Biographies of more than 100 Irish scientists (or those with strong Irish connections), in the disciplines of Chemistry and Physics, including Astronomy, Mathematics etc., describing them in their Irish and international scientific, social, educational and political context. Written in an attractive informal style for the hypothetical 'educated layman' who does not need to have studied science. Well received in Irish and international reviews.