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Downpatrick
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The Flower of Friendship
Edmund Tilney dedicated to Queen Elizabeth in 1568 a spirited dialogue concerning appropriate behavior in marriage. Extraordinarily popular for a generation following its first publication, it is available here for the first time in a critical edition that includes a comprehensive essay by Valerie Wayne.
A History of Human Beauty
If Cleopatra's nose had been half an inch longer, neither Caesar nor Mark Antony would have fallen in love with her. It: A History of Human Beauty treats outstanding physical attractiveness as a quality or possession, comparable to power, intelligence, strength, wealth, education or family, that had a marked effect on history. Beauty in men and women opened opportunities to its possessors not available to the ordinary looking or ugly. While in the past women have had to use the lure of sex to achieve power or wealth, epitomised by royal mistresses or the Grandes Horizontales of the nineteenth century, modern film stars (male and female) can acquire great wealth simply by the use of their images, while attractiveness on television is an essential modern qualification for power, as shown by Ronald Reagan and Tony Blair.
Narrating Marriage in Eighteenth-century England and France
Drawing on a wide range of English and French fiction and advice literature, this study analyzes the problems of representation that emerge in light of the changing definition of marriage from one of hierarchy to companionship in the eighteenth century. Ranging from representations of ideal domesticity to the problems of intimacy and marital discontent, Roulston explores the paradox of the modern marriage as both utopian and unlivable, and expands the debate around its evolution.
Musical Standard
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Fashioning Femininity and English Renaissance Drama
By examining representations of women on stage and in the many printed materials aimed at them, Karen Newman shows how female subjectivity—both the construction of the gendered subject and the ideology of women's subjection to men—was fashioned in Elizabethan and Jacobean England. Her emphasis is not on "women" so much as on the category of "femininity" as deployed in the late sixteenth and early seventeenth centuries. Through the critical lens of poststructuralism, Newman reads anatomies, conduct and domesticity handbooks, sermons, homilies, ballads, and court cases to delineate the ideologies of femininity they represented and produced. Arguing that drama, as spectacle, provides a peculiarly useful locus for analyzing the management of femininity, Newman considers the culture of early modern London to reveal how female subjectivity was fashioned and staged in the plays of Shakespeare, Jonson, and others.
Daughters, Wives and Widows After the Black Death
Did the expanding economic life of England after the Black Death improve the lot of women, as is commonly thought? This study argues not. It has long been thought that the post Black Death period offered unparallelled opportunities for women. However, through a careful consideration of economic and legal changes affecting women of all social classes and conditions, the author shows that this was not the case, taking issue with orthodox opinion. She argues that marriage at a late age was not customary for women, and that the ability of wives to supplement their income with intermittent paid labour (at harvest time, for example) was not so great as has been supposed: rather, most married women...
Thomas Heywood's Theatre, 1599-1639
In this major reassessment of his subject, Richard Rowland restores Thomas Heywood-playwright, miscellanist and translator-to his rightful place in early modern theatre history. Rowland contextualises and historicises this important contemporary of Shakespeare, locating him on the geographic and cultural map of London through the business Heywood conducts in his writing. Thomas Heywood's Theatre, 1599-1639, fits a fascinating piece into the emerging picture of the 'complete' early modern English theatre.
Gender in English Society 1650-1850
A lively social history of the roles of men and women - from workplace to household, from parish church to alehouse, from market square to marriage bed. Robert Shoemaker investigates such varied topics as crime, leisure, the theatre, religious observance, notions of morality and even changing patterns of sexual activity itself.
