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Katrin Thomas
The photographer Katrin Thomas moves adeptly between the opposing poles of fashion and art photography.
The Girl In The Forest
From the pine tree forests in Switzerland, a thriller-romance which will take your sleep away… A sad twist of the destiny catapults Anna, a young Brazilian woman, into a reality greater than her. Driven by desire to help and make the good, she’ll find herself slave of human trafficking gangs, in the hands of merciless torturers ready to sell her to the richest bidder. Only using her cunning she’ll be able to escape, helped by the Swiss officer Thomas Graff, a man with an icy heart and past he can’t leave behind. The crash between two different cultures that will make sparks fly! This is Anna’s story, undeservedly a victim like many other women. Among intrigues, betrayal, crimes and games of fate, the young lady will fight for freedom and love. First volume of the Swiss Stories which can be read on its own. Recommended for an adult audience.
Heraldic visitations of Wales and part of the Marches between the years 1586 and 1613
Heraldic visitations of Wales and part of the Marches between the years 1586 and 1613, under the authority of Clarencieux and Norroy.
Taken by the Devil
Censorship had an extraordinary impact on Alban Berg's opera Lulu, composed by the Austrian during the politically tumultuous years spanning 1929 to 1935. Based on two plays by Frank Wedekind that were repeatedly banned from publishing and performing up until the end of World War I, thelibretto was in turn censored by Berg himself when he submitted it to authorities in Nazi Germany in 1934. When Berg died before the opera was debuted the next season, the third act was censored by his widow, Helene, and his former teacher, Arnold Schoenberg.In "Taken By the Devil", author Margaret Notley uncovers the unusual and uniquely generative role of censorship throughout the lifecycle of Berg's great o...
A Breath of Fresh Eyre
Contributions review a diverse range of works, from postcolonial revision to postmodern fantasy, from imaginary after-lives to science fiction, from plays and Hollywood movies to opera, from lithographs and illustrated editions to comics and graphic novels.
The Destruction of the Bison
This study, first published in 2000, examines the cultural and ecological causes of the near-extinction of the bison.
Computational Drama Analysis
Dramatic texts come with a natural structure of acts, scenes and speech clearly assigned to characters that lends itself to computational analysis: These explicit structures allow for straightforward formalizations without extensive preparatory work. Work on drama has therefore always been at the forefront of research in computational literary studies, with its pioneers analyzing drama quantitatively long before the digital age. Today, increasingly large digital text corpora are available and computational literary studies aims at a higher-scaled view on literary history, promising to analyze thousands of literary texts simultaneously. After decades of exploring the possibilities offered by computational methods, the field is now undergoing a phase of consolidation that takes stock of achievements and opportunities and critically reflects the computational methods and interpretations derived from data. Building on insights from the fields' tradition and current research approaches, this volume provides an overview of the status quo of computational drama analysis and explores possible routes for the future.
Rewriting the Victorians
The 19th century has become especially relevant for the present--as one can see from, for example, large-scale adaptations of written works, as well as the explosion of commodities and even interactive theme parks. This book is an introduction to the novelistic refashionings that have come after the Victorian age with a special focus on revisions of Charlotte Bronte's Jane Eyre and Charles Dickens's Great Expectations. As post-Victorian research is still in the making, the first part is devoted to clarifying terminology and interpretive contexts. Two major frameworks for reading post-Victorian fiction are developed: the literary scene (authors, readers, critics) and the national-identity, political and social aspects. Among the works examined are Caryl Phillips's Cambridge, Matthew Kneale's English Passengers, Peter Carey's Oscar and Lucinda and Jack Maggs, Lloyd Jones's Mister Pip, Jean Rhys's Wide Sargasso Sea, D.M. Thomas's Charlotte, and Jasper Fforde's The Eyre Affair.
