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Invisible Blackness explores the complex lives of Creoles of mixed race born in Louisiana to enslaved women and the white men who enslaved them. Individuals such as Alice Thomasson Grice forged their own identities—and often reinvented themselves—within the increasingly strict racial order of antebellum and postbellum Louisiana. Alice Thomasson Grice occupied an unusual position among mixed-race Creoles of her era, as her white father recognized her formerly enslaved mother as his wife and raised Alice and her siblings as free people. After Alice married a white steamboat captain, Charles Grice, she and her children chose to identify as white. Invisible Blackness explores why Alice, her ...
The story of Antoine is emblematic of countless enslaved people whose lives and contributions have been overlooked. Antoine, the enslaved gardener of Oak Alley Plantation, was the first person to successfully propagate the pecan tree yet he exists only as a footnote in the bigger story of Oak Alley Plantation. His pioneering work enabled large groves of trees to be planted creating a lucrative commercial crop and though his horticultural achievement has long been legend, virtually nothing is known about his life. Historian Katy Morales Shannon utilizes extensive research and period documents to expose his story and explore the lives of the enslaved community in which he lived. The life of this truly revolutionary enslaved man is revealed through the lives of his family and friends, the community they built, and the bonds they forged during their enslavement and their life as free people.
Sieben Geschwister auf einem Gemälde, doch wer ist hier ein Junge, wer ist ein Mädchen? So viele Vögel in Kinderbildnissen, haben sie eine besondere Bedeutung? Warum gibt es in der zweiten Hälfte des 19. Jhs. die meisten Kinderbildnisse? Und warum verschwindet ein Kind aus einem Gemälde? Erfahren Sie mehr über 51 Kinderbildnisse von 16 Malerinnen und 27 Malern.
The purpose of this book is to determine the places of origin of the families recruited by John Law in 1720, and to re-examine the migration within the context of Louisiana and European history. The primary focus was on those fifty-eight families enumerated at the German villages in the 1724 census. The first section re-examines the German migration to Louisiana, while the second reports the results of the genealogical research that is arranged by family groups. The third section of the book contains translations of pertinent documents and additional research on the German Stein family.
Traces the historical and cultural paths of the pecan, while weaving American history, agricultural history, and science into the story.
Inside the "Most Haunted" House in New Orleans The legend of Madame Delphine Lalaurie, a wealthy society matron, has haunted the city of New Orleans for nearly two hundred years. When fire destroyed part of her home in 1834, the public was outraged to learn that behind closed doors Lalaurie routinely bound, starved, and tortured her slaves. Forced to flee the city, her guilt was unquestioned, and tales of her actions have become increasingly fanciful and grotesque over the decades. Even today, the Laulaurie house is described as the city 's "most haunted" during ghost tours. Carolyn Long, a meticulous researcher of New Orleans history, disentangles the threads of fact and legend that have in...
The truth behind the legend of New Orleans’ infamous slave owner, madwoman, and murderess, portrayed in the anthology series, American Horror Story. On April 10, 1834, firefighters smashed through a padlocked attic door in the burning Royal Street mansion of Creole society couple Delphine and Louis Lalaurie. In the billowing smoke and flames they made an appalling discovery: the remains of Madame Lalaurie’s chained, starved, and mutilated slaves. This house of horrors in the French Quarter spawned a legend that has endured for more than one-hundred-and-fifty years. But what actually happened in the Lalaurie home? Rumors about her atrocities spread as fast as the fire. But verifiable facts were scarce. Lalaurie wouldn’t answer questions. She disappeared, leaving behind one of the French Quarter’s ghastliest crime scenes, and what is considered to be one of America’s most haunted houses. In Mad Madame Lalaurie, Victoria Cosner Love and Lorelei Shannon “shed light on what is fact and what is purely fiction in a tale that’s still told nightly on the streets of New Orleans” (Deep South Magazine).
Textbook regarding the use of diet, nutritional supplements, and other natural substances for the prevention and treatment of disease.
"Arrangements and productions": p. 177-179.
An engaging, encyclopedic account of the material world of early modern Britain as told through a unique collection of dated objects The period from 1500 to 1800 in England was one of extraordinary social transformations, many having to do with the way time itself was understood, measured, and recorded. Through a focused exploration of an extensive private collection of fine and decorative artworks, this beautifully designed volume explores that theme and the variety of ways that individual notions of time and mortality shifted. The feature uniting these more than 450 varied objects is that each one bears a specific date, which marks a significant moment—for reasons personal or professional, religious or secular, private or public. From paintings to porringers, teapots to tape measures, the objects—and the stories they tell—offer a vivid sense of the lived experience of time, while providing a sweeping survey of the material world of early modern Britain.