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The Long Shadow of the Past
Examines key contemporary Austrian literary texts, films, and memorials that treat Nazism and the Holocaust for what they reveal about the country's contemporary politics of memory.
Edinburgh German Yearbook 14
Examines the heightened role of politics in contemporary German and Austrian cultural productions and institutions and what it means for German Studies.
Walking Through History
<B>This book was the winner of the 2011 Peter Lang Young Scholars Competition in German Studies.<BR> The post-war landscape of Europe is unthinkable without the voices of the Austrian writers Ingeborg Bachmann (1926-1973) and Thomas Bernhard (1931-1989). Their work, coming after the devastation wrought by the Second World War and the Holocaust, is rooted in a specifically Austrian context of repression of this traumatic historical legacy. In post-war Austria, discourse on the recent past may have been dominated by silence, but the legacy of this past was all too apparent in the country's ruined and speedily reconstructed cityscapes. <BR> This book investigates Bachmann's and Bernhard's...
Cultural Responses to the Far Right in Contemporary Germany
Against the backdrop of an insurgent far right and numerous deadly neo-Nazi attacks, various cultural practitioners have written far-right violence into Germany’s collective memory and imagined more inclusive futures in its wake. This volume explores contemporary examples from literature, music, theatre, film, television and art that respond to this situation. They demonstrate that, alongside the ways in which art expands the public sphere in terms of what is said and who is heard, aesthetic questions of how artistic works are presented are a crucial part of how they open up new perspectives.
The Literary Politics of Mitteleuropa
Shows how postwar writers in Austria and Yugoslavia re-imagined Mitteleuropa as a cultural space between nostalgia and totalitarianism.
Exploring the Transnational Neighbourhood
Urban neighbourhoods have come to occupy the public imagination as a litmus test of migration, with some areas hailed as multicultural success stories while others are framed as ghettos. In an attempt to break down this dichotomy, Exploring the Transnational Neighbourhood filters these debates through the lenses of geography, anthropology, and literary and cultural studies. By establishing the interdisciplinary concept of the 'transnational neighbourhood', it presents these localities – whether Clichy-sous-Bois, Belfast, El Segundo Barrio or Williamsburg – as densely packed contact zones where disparate cultures meet in often highly asymmetrical relations, producing a constantly shifting...
Reception of Northrop Frye
The Reception of Northrup Frye takes a thorough accounting of the presence of Frye in existing works and argues against Frye's diminishing status as an important critical voice.
The Second and Third Generation: The Legacy of Forced Migration from Nazi Europe
The Second and Third Generation have become increasingly active in remembering and researching their families’ pasts, especially now that most refugees from National Socialism have passed away. How was lived experience mediated to them, and how have their own lives and identities been impacted by persecution and flight? This volume offers a valuable insight into the personal experience of the Second Generation, as well as a perceptive analysis of film, art, and literature created by or about the subsequent generations. Recurring themes of silences, transferred trauma, postmemory, and “roots journeys" are explored, revealing the distance, connection, and collaboration between the generations. Contributors are: David Clark, Miriam E. David, Rachel Dickson, Yannick Gnipep-oo Pembouong, Anita H. Grosz, Andrea Hammel, Brean Hammond, Stephanie Homer, Merilyn Moos, Angharad Mountford, Teresa von Sommaruga Howard, Jennifer Taylor, and Sue Vice.
Thomas Bernhard's Afterlives
In his prose fiction, memoirs, poetry, and drama, Thomas Bernhard (1931-1989)--one of the 20th century's most uniquely gifted writers--created a new and radical style, seemingly out of thin air. His books never “tell a story” in the received sense. Instead, he rages on the page, he rants and spews vitriol about the moral failures of his homeland, Austria, in the long amnesiac aftermath of the Second World War. Yet this furious prose, seemingly shapeless but composed with unparalleled musicality, and taxing by conventional standards, has been powerfully echoed in many writers since Bernhard's death in 1989. These explorers have found in Bernhard's singular accomplishment new paths for the expression of life and truth. Thomas Bernhard's Afterlives examines the international mobilization of Bernhard's style. Writers in Italian, German, Spanish, Hungarian, English, and French have succeeded in making Bernhard's Austrian vision an international vision. This book tells that story.
