Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Catholicism, Politics and Society in Twentieth-century France
Catholicism, once the protean monster, still functions as a complex component of French identity. No consideration of modern France would be complete without reference to the enduring impact and influence of Catholicism on the life of the nation. This volume sets out to capture some of the variety and significance of the Catholic phenomenon in twentieth-century secular France, and to express something of its extraordinary vitality and interest. Each contribution focuses on a specific theme or period crucial to an understanding of the role played by French Catholics and their Church. Collectively, these studies reveal that Catholics were involved in almost every event of consequence and voiced an opinion on almost every issue. Equally, the volume offers a collage of insights which reflects the fragmentation of Catholic activity and attitudes as the century progressed. Being Catholic in modern France no longer means the espousal of a particular political or social agenda. Nor does it necessarily mean regular and traditional religious observance, or even strict adherence to the dictates of the Church. Modern French Catholicism truly has many mansions.
Catholicism, Politics and Society in Twentieth-century France
Catholicism, once the protean monster, still functions as a complex component of French identity. No consideration of modern France would be complete without reference to the enduring impact and influence of Catholicism on the life of the nation. This volume sets out to capture some of the variety and significance of the Catholic phenomenon in twentieth-century secular France, and to express something of its extraordinary vitality and interest. Each contribution focuses on a specific theme or period crucial to an understanding of the role played by French Catholics and their Church. Collectively, these studies reveal that Catholics were involved in almost every event of consequence and voiced an opinion on almost every issue. Equally, the volume offers a collage of insights which reflects the fragmentation of Catholic activity and attitudes as the century progressed. Being Catholic in modern France no longer means the espousal of a particular political or social agenda. Nor does it necessarily mean regular and traditional religious observance, or even strict adherence to the dictates of the Church. Modern French Catholicism truly has many mansions.
Alphonse de Châteaubriant
The Second World War spawned infamous collaborators such as Brasillach and Drieu la Rochelle, men who betrayed France throughout the Occupation. Among their number stands the Catholic writer Alphonse de Châteaubriant. Author of the prize-winning novels Monsieur des Lourdines and La Brière, he turned his literary talents to the propagation of a collaborationist message in the pages of the infamous essay La Gerbe des forces and the equally ignominious newspaper La Gerbe. Although nothing predisposes a Catholic to be a collaborator, Châteaubriant's commitment to the National-Socialist cause arose from an idiosyncratic reading of Christian doctrine which justified racism and elitism in the na...
New Perspectives on the Fin-de-siècle in Nineteenth- and Twentieth-century France
The 14 studies in this volume are a collective demonstration of the flexibility and tenacity of the Fin de Siecle theme. Studies of literature and film are mixed with sociological and historical enquiries, providing an overview of the concept in its various manifestations and offering a range of insights.
Novel Possibilities
Childers (English, U. of California-Riverside) considers the role of the novel, particularly the social-problem novel of the 1840s, in interpreting and shaping the cultures of the early Victorian period. The volume's nine essays address the political novel's influence; Edwin Chadwick's Report on the Sanitary Conditions of the Labouring Population of Great Britain; and religion, radical politics, and the industrial novel. Annotation copyright by Book News, Inc., Portland, OR
French Writers and the Politics of Complicity
Focusing on the political commitments of three French writers who collaborated with the Vichy Regime and Nazi Germany during World War II, and on those of three leading French intellectuals of the 1990s whose misplaced political idealism led them to support xenophobic, authoritarian regimes and dangerous historical revisionisms, Richard J. Golsan reexamines the notion of political commitment or engagement in two difficult periods in modern French history. Discussing the fiction, essays, and journalism of Henry de Montherlant, Jean Giono, and Alphonse de Châteaubriant, Golsan explores the complexity of artistic and intellectual collaboration during the German Occupation. He demonstrates that...
Teilhard de Chardin
"Pierre Teilhard de Chardin (1881-1955) has been regarded for too long as an isoteric thinker who evacuates theology by subjecting it to scientific theory. There is an urgent need to reclaim him as a French catholic theologian with intellectual roots in the early twentieth century. Teilhard's imaginative and inspiring work is grounded in the constructive use of biblical and patristic motifs and in his own life experiences of war, exile and scientific endeavour. From these, he develops a distinctive philosophical theology which combines elements frequently assigned to the separate domains of philosophy of religion, systematic theology and mysticism. Teilhard provides a detailed theology of human embodiment and natural substance, whilst his theories of human action, passion, vision and virtue offer suggestive resources to pastoral theology. His evolutionary cosmology and social democratic politics are discussed in their historical context, and the significance of his work for the ongoing dialogue between science and religion is assessed."--BOOK JACKET.
The Fiction of Albert Camus
This book takes a fresh look at the novels and short stories of Albert Camus, from his early attempt at a first novel, La Mort heureuse, to the largely autobiographical Le Premier homme, unfinished at the time of his death. It seeks to see the oeuvre as a totality, coherent throughout, and examines the linkages and transformations from one work to the next, in the context of Camus's thought, attitudes and topoi or themes. The development of narrative techniques is examined, ranging from laconism to lyricism, from allegorism to realism, from humour to biting satire. The author traces the influence on Camus's thought of philosophers and thinkers as diverse as Nietzsche and the pre-Socratics on the one hand, and St Augustine, Pascal, and Simone Weil on the other, and considers the circularity of his work, from the early preoccupation with the finality of death and the search for meaning to the return to the origin and source in Le Premier homme. The enduring appeal of Camus's work is attributed to its humane openness and its challenges for our time.
